Grade: A-
Category
Workplace rom-com
What it’s about
Hwang Tae Hee—a successful,
take-no-prisoners businesswoman—ignores her mentor’s advice and
gets married. But when that mentor turns against Tae Hee and decides
to ruin her life, her hard-won happy ending disappears. With her job
and marriage crumbling around her, Tae Hee meets an anchorless chaebol
son who might feel even more lost and alone than she does.
First impression
I wan’t sure
what to watch next, but I’m glad I picked this refreshing, breezy
show. It has been a long time since I’ve watched a light romance
with a strong workplace storyline, and this one is known for making
Kdrama history: It presents a rare example of a second male lead who
actually gets the girl in the end. I can already see why—the original
lead seems smarmy and money-grubbing, not worthy of the fabulously
capable, can-do Hwang Tae Hee.
Final verdict
Queen of Reversals feels
completely different from the more recent Kdramas I’ve been
watching lately, even though it’s only three years old. It’s blissfully traditional, with no time travel, no body
swaps, and no heavy melodrama. It instead finds the perfect balance between compelling workplace challenges and
romantic sparring. It’s also funny, with lots of character-based
humor and delightfully absurd (but utterly plausible) slice-of-life
moments.
Queen of Reversal’s cast of characters is wonderful, with
sassy corporate assistants, loyal colleagues, bickering
mother-in-laws, and rivals who are fully drawn characters, not just
route bad guys. Best of all is its female lead: Hwang Tae Hee is a
serious and confident grownup, not a naïve, pliable little girl like
so many Kdrama heroines. It’s easy to see why the second lead got
the girl this time. Her smarts turned him on, while the show’s
original lead was threatened by her professional abilities.
Although there are a few glitches in its pacing (including a noble
idiot arc toward the end that I could have done without), Queen of
Reversal’s story never falls into the drama doldrums. There are
always new and exciting things happening, and lots to look forward to around every corner. This would be an impressive feat for any
show, but it’s almost unheard of for shows like Queen that
receive midrun extensions. Even the addition of ten episodes
couldn’t derail this narrative; like its heroine, this drama handled
the unexpected with grace and style.
My biggest gripe about QOR is that it had to end. I would have
happily stuck around for at least ten more episodes of its cozy
sweetness.
Random thoughts
• Episode 1. Someone recently commented on my old article
about sexism in Kdramaland, mentioning that things like the wrist
grab aren’t necessarily predicated on gender. That person is
certainly right to point out that age is just as important as a
deciding factor in how people treat each other—ajummas are never
shy pushing around young men. But I still think that Kdramas tend to
present men as the dominant figures in all relationships. And here’s
an example: even though this show features a noona romance, the
younger man just grabbed his girlfriend by the wrist and forced her
to sit. He assumes the place of power in the relationship, even
though she’s older. (Of course, mostly that’s because she’s
intentionally reeling him in, but still.)
• Episode 2. I love my mom and all, but I’d love her even
more if she’d stop by and leave tasty side dishes in my fridge.
• Episode 2. And with the introduction of shirtless,
smirking Park Shi Hoo as a stylish chaebol son, this fun show gets
fabulous.
• Episode 2. Queen of Reversals is reminiscent of
both the verve-filled Dal Ja’s Spring and the
dull-as-dishwater I Do, I Do. I’m hoping it will be more of
the former and less of the latter, but it’s too soon to tell.
• Episode 3. Jobs are not like boyfriends, sweetheart. You
should have a new one lined up before you leave the old one.
• Episode 4. Who did the female lead’s hair? Lady Di,
circa 1984? I wonder if her dated fashion sense is meant to make her
seem older, not just torment me with flashbacks to my childhood in
the 1980s.
• Episode 4. This boss’s first comment about necessary
restructuring was: “Let’s get rid of the married women with poor
performance reviews.” If someone said that in America, I’m not
even sure what would happen. George Washington would appear and kick
their ass, probably. And then all the married women would get
together to win a $70 million class-action suit against the company.
Which is exactly what a business with that kind of attitude deserves.
• Episode 5. So there are two possibilities: either the “g”
key on this subber’s keyboard wasn’t working, or everyone in this
show talks like a ten year old. Listen and repeat, subber: Making,
Taking, and Holding. Not Makin’, Takin’, and Holdin’.
• Episode 6. I’m really loving this drama. It’s about actual grownups, which is a refreshing change after all the
time-traveling and/or flower-boy series I’ve been watching lately.
Its exploration of a committed, adult relationship is both candid and
realistic—there’s fighting and jealousy and envy, not to mention
crushing responsibility to be shouldered by the family’s breadwinner. For
Queen of Reversals, weddings aren’t Cinderella-style happy
endings: they’re the beginning of something new, just like in real
life. I can see how the screenwriters fell into the second-lead trap,
though. They forgotten to include any hint of love or support in
the show’s central relationship. Of course nobody wants this couple
to be together when they don’t want to be together themselves.
• Episode 8. James really did go native during his stay in
America—he’s eating breakfast cereal!
• Episode 8. The giant spider broach in this scene gets a 0
on the fashion-o-meter, but an 11 on the phobia-o-meter.
• Episode 8. If only you had Choi Han Gyul on your team, you
would have sold every single one of those makeup sets. He would have
made some great signs and used his charisma to encourage customers
instead of just standing dumbly behind a bare table and expecting
people to come to you. (Of course, he would have accidentally sold
the premium product at a discounted rate. But still.)
• Episode 8. This is definitely vintage Park Shi Hoo—he’s
a quirky brat, but not so quirky and bratty that I can’t stand the
sight of him, unlike in Cheongdamdong Alice. I can’t figure
out how he’ll end up with the female lead, though. She’s already
married, and this drama seems too light for the moral ambiguities of
a torrid, marriage-breaking affair.
• Episode 8. Is the lead couple’s daughter being raised by
wolves in the next apartment or something? She gets less screen time
in than the female lead’s cell phone.
• Episode 10. You keep calling the female lead “Bossy,”
show, but I don’t think that word means what you think it means.
Try “Dedicated.” Or “Exacting.” Maybe even “Strong.”
That’s what you’d call a guy who acted like she does, anyway.
• Episode 10. If I didn’t know how this show was going to
turn out, I’d have killer second lead syndrome right now: he
realizes that she’s upset, so finds her a soundproofed office for a
good cry, gives her his hankie, and then stands guard outside the
door? That’s Amanda’s dream man territory right there. (It might
mean I’m emotionally broken, but when I need to cry, I’d rather
do it by myself.) The only problem in this relationship is that it’s
unclear whether he needs a girlfriend or a mother.
• Episode 11. Dear Korea: Thanks to this heinously
fuzzy-armed sweater, you have officially lost fur privileges.
Forever. Sincerely, Amanda
• Episode 14. Warning: this episode includes consumption of
live, wriggly octopus. I can’t even watch it, let alone eat it.
• Episode 16. This show’s female lead seems to have stolen
her entire wardrobe from Jane Fonda’s trailer sometime shortly
after filming wrapped on the movie 9 to 5 in 1980. Giant bows
at the neck? Bangs feathered and shellacked to the side of her head?
Flared, knee-length skirts and fussy little prints? She’s got them
all, and then some.
• Episode 17. Although Kdrama seems to have grown out of its
nasty male lead phase, it’s still unusual to find a relationship
like the one in this show: Park Shi Hoo’s character gets all hot
and bothered by the female lead’s capabilities. When she does
something right, he beams. And when she kicks butt at a video game he
gets all woozy and flustered with adoration. Of course, he has his
moments of meanness, but I think he might still be the missing link
between vicious Jun Pyo and supportive Enrique.
• Episode 18. This narrative arc’s quest for the next big
diet product is problematic on any number of levels, but the most
annoying one came to the forefront in this episode’s big boardroom
scene. “Women, wouldn’t you love a pill that would make you feel
full and burn calories at the same time?” asks the male lead. He
follows this question with, “Men . . . wouldn’t you love to give
this product to your wife?” What a double-standard that is—women
must be skinny, and men must have skinny women. It’s especially
ridiculous because men in Korean society clearly suffer pressure to
be thin, just like Korean women do: All those scrawny, makeup-wearing
flower boys are exhibit A. But just like in America, extra weight on
a man is excusable and can be overcome by other attributes, while
it’s an unforgivable sin on a woman. (P.S.: Sign me up for the
clinical testing on those pills, will you?)
• Episode 18. I love that the guy who played Mr. Hong in
Coffee Prince is in this drama, and that he’s practically playing
Mr. Hong again: He’s yet another kindly old gentleman with valuable
insight into the human heart (and dubious personal hygiene).
• Episode 19. If whatsherface ends up with the gallant cop,
what will become of poor Junsu? I never really liked the actor who
plays him, but he doesn’t deserve to be forever alone just because
the casting department did a better job with the other characters.
• Episode 19. Here’s my exact response to a scene in this
episode, as shown on tumblr. (Luckily, I don’t have to wait a week
for satisfaction—this show completed its run in 2010.)
• Episode 22. I’ve always wondered why so many Kdrama
actors speak lousy English, even when the language is emphasized in
schools from a young age. I guess this episode may have given me a
reason: grammar is studied more than spoken fluency. It’s actually
sad how hard it is to learn a new language—I know people do it for
fun, but they’re a rare subset of the world’s OCD population. The
rest of us are just stuck with the three phrases it took us years of
high school language class to master. Mine are in French: (1) Where’s
the bathroom? (2) Thank You. and (3) Do you want to sleep with me
tonight? (Thanks, Christina Aguilera!)
• Episode 21. My God, Park Shi Hoo. You’re kissing her in
this scene, not giving her CPR. Scale it back, buddy. (Who ever
thought a Kdrama kiss would inspire that reaction?)
• Episode 21. Nice lipstick, female lead. What’s the color
called? Corpse?
• Episode 23. Unlike a lot of workplace shows, QOR does
a great job of integrating character storylines with professional
challenges. It’s not the same two people forever having the same
stupid argument about office politics—it’s compelling characters
working together on interesting tasks. So far the pace isn’t even
suffering from the show’s 10-episode extension, which is a feat.
I’m actually left wishing the screenwriter was more prolific, but
she’s only written a few other (very long) shows.
• Episode 23. I’m up for this culinary tour of Korea
whenever you’re available, Junsu. Call me!
• Episode 23. This drama really showcases Park Shi Hoo at his
most scrumdiddleyumptious. His more recent starring roles haven’t
done anything for me, but he’s aces as this disenfranchised,
quasi-chaebol who’s pining over his employee. In fact, most of
Queen’s secondary characters are even better than the
leads—the snarky assistant, the dreamy cop, and the shy coworker
feel interesting enough for much bigger roles.
• Episode 26. If only getting promoted to management
positions automatically made dopes like the male lead into cool,
collected leaders. My lifetime worth of experience with
managers—including me—proves that this isn’t the case.
• Episode 26. I love the smeary, raccoon-eyed look of this
show’s crying women. I’m no expert on makeup, but I can’t
imagine that eyeliner that thick would hold up to weeping and/or
tissue use.
• Episode 26. Even though you pretty much know how Kdrama
romances will end, I think being truly spoiled for this show’s
endgame couple is actually allowing me to enjoy watching it more.
There’s no breathlessness about whether things will work out, so I
can savor the little details, like the
rotten-clementine-cum-love-token in this episode.
• Episode 28. Whenever a drama roommate conspicuously
disappears on an unlikely vacation, it usually means that a hot night
of love is in store for the lead. Will this show go there?!? I hope,
I hope.
• Episode 28. The director was definitely hot for Park Shi
Hoo at this point. The female lead just had a powerful speech that
explained her motivations for the past few episodes, but we hardly
ever saw her face during the scene. Instead, it was one long reaction
shot focused on PSH. He earned all that screen time
by etching his character’s emotions on his face: sadness and
resoluteness and love.
• Episode 30. This episode made me cry until I got a case of
the hiccups. (Just FYI.)
• Episode 30. That Park Shi Hoo must have a singing voice
that sounds like a dying walrus—he avoided singing in not one but
two noraebang scenes in the course of this drama.
•Episode 31. Korea mustn’t have legal protections for
older workers—the female lead keeps talking about age-cutoffs for
new employees that are preventing her from getting a job. It’s hard
to imagine how this fits in with the Korean ethos of age-based
hierarchy, but I guess respecting one’s elders is a double-edged
sword on this front. When age matters so much in every relationship,
it has to be awkward for an older person to have a lesser job than
someone who’s their (chronological) junior. This also explains why
people so rarely leave jobs in Kdramas. You’re fully wedded to your
first job because as you age you become less employable elsewhere. In
America it’s illegal to discriminate based on someone’s age, and
it strikes me as stupid wherever you are. Older people have more
experience and perspective and are often infinitely more valuable
than someone in their twenties.
You might also
like
The office relationships (and noona romance!) of Dal Ja’s Spring
Family’s Honor, my other favorite Park
Shi Hoo drama
Adding it to my PTW now.. I think I'm in the market for a good female lead who resembles an actual human being. Though, this lack of time travel turns me off a bit.. ;)
ReplyDeleteI have to add this show to my over-long to watch list. Congrats to squeezing in not one, but two, Coffee Prince references.LOL
ReplyDeleteHi Amanda, been trying to look for the answer to this question somewhere here in your blog but couldn't seem to find it - I was wondering about your grading system for your drama reviews. can you please share to me like the description of the grades you provide in your reviews? Thanks! :)
ReplyDeleteYou found the weak spot in my armor! My grading system isn't involved or well thought-out enough to have an actual strategy, unlike lots of bloggers. ;) It probably breaks down like this:
DeleteA-Excellent
B-Okay
C-Barely acceptable
D-Terrible
I don't think I've actually graded anything F, probably because I don't grade shows I drop.
I like the fact that it's pretty straightforward! :) keep it up. loving your blog! :)
DeleteOkay, so I wasn't quite as enthralled with the length as you were, but otherwise, I completely agree with your assessment!
ReplyDeleteSpeaking of kdrama sexism, how did you feel about the first kiss with Park Shi Hoo's character? The one where he tries to kiss her, she slaps him, and then he does it again? That moment was really problematic for me.
Also, I just read your original post on kdrama sexism, and I totally agree, though I think I tend to focus more on where the characters end up than where they started. That's why I have more of an issue with shows where the male lead continues to dominate the female up until the end than with shows where the male lead starts out domineering and then the relationship evolves into something balanced and healthy. Though I will concede that the initial creepiness in A Gentleman's Dignity just about killed me.
I'm usually not crazy about super long Kdramas either, but I thought this show had a lot of interesting territory that it still could have covered, like the male lead's integration into Tae Hee's family. (Then the they could have added a few scenes featuring the dreamy cop coming to America and marrying me.)
DeleteAnd yes, that first kiss was pretty awful. "No means no" is clearly not a slogan that gained a lot of traction in Korea. I'm trying to think of an example of a jerk male lead who turned into a respectful boyfriend by the end of the drama, but I'm drawing a blank. Maybe Shining Inheritance? I couldn't even make it far enough into A Gentleman's Dignity to see the jerk of a male lead be redeemed—which is why I'm fearticipating Heirs, which is written by the same person. (Hmmm.."fearticipating" doesn't seem to be a successful portmanteau.)