Grade B+
Have you ever wished a drama production
team would make your life perfect—choosing your outfit, compiling a soundtrack, manufacturing reasons for you to spend time with your crush, and even giving you the perfect script for the occasion?
Well, some of the lucky characters in the 2010 Korean movie The Cyrano Agency have
almost exactly that.
Soon
to be the basis for the fourth installment in tvN’s Oh Boy series
of dramas, following this spring’s well-received Flower
Boy Next Door, this lighthearted
romantic comedy revolves around a failed theater troupe that finds a way to put their dramatic skills to good use: making people fall in love.
(For a price, of course.) With superspy techniques verging on the
James Bondian, this scrappy band of former thespians spends their
time concocting scenarios guaranteed to bring people together.
In spite of its inherent cynicism—to the agents, inspiring love is a straightforward math problem easily solved in the most predictable, mundane (and cheesy) of ways—The Cyrano Agency is a bright and funny take on finding love in the modern world.
Mixing a heist-film mentality and classic romantic hijinks, the movie opens with a bang: the team organizes a series of primetime calibre meet-cutes for a sad sack customer intent on dating his favorite barista. Told in a clever montage that cuts between planning sessions and real-life events, it shows the dating agents—and the movie—at their finest.
Everything
goes well for the crew until life begins to imitate art. In one fateful case, Byung Hoon, the agency’s director, finds himself helping another man win the heart of the woman he loves—exactly what happened in
Cyrano De Bergerac, the
nineteenth-century play that inspired their business. (Never fear if you know the tragic source material; this isn’t that kind of Korean movie.)
Played
with slouching charm by Uhm Tae-Woong, Byung Hoon does
everything in his power to stay off the case, but money is scare and
the rest of the team eventually convince him to move forward. His
shared past with the agency’s newest prey is told in fragmentary
flashbacks that gradually reveal the details of their love, from a
gum-driven meeting to a teary breakup. As he choreographs the
client’s quest for her hand, Byung Hoon is forced to decide
between a broken past and uncertain future not only for himself, but also for his
former sweetheart.
Standout among the movie’s cast is Daniel Choi, as the star of Byung Hoon’s greatest heist. His easy-going energy is perfectly showcased here, thanks to a script that gives plenty of opportunities for both physical comedy and puppyish sweetness. In an underused role, Park Shin Hye also shines as a no-nonsense businesswoman working to keep the agency afloat.
Funny fight scenes and quirky romance abound in The Cyrano Agency, but the movie does suffer from a slower second half and some serious logical flaws. The biggest of them all, of course, is at the very heart of the agency’s work: Why would you ever want someone who would only want a “perfect” version of you, not the real thing?
Standout among the movie’s cast is Daniel Choi, as the star of Byung Hoon’s greatest heist. His easy-going energy is perfectly showcased here, thanks to a script that gives plenty of opportunities for both physical comedy and puppyish sweetness. In an underused role, Park Shin Hye also shines as a no-nonsense businesswoman working to keep the agency afloat.
Funny fight scenes and quirky romance abound in The Cyrano Agency, but the movie does suffer from a slower second half and some serious logical flaws. The biggest of them all, of course, is at the very heart of the agency’s work: Why would you ever want someone who would only want a “perfect” version of you, not the real thing?
***
The Cyrano Agency seems
tailor-made for the Oh Boy franchise. Focusing on an ensemble cast of
agents and clients, it gives the drama’s writers lots of fodder for
varied plots and characters. (If anything, the two-hour movie suffers
from having too many great toys and not enough time to play with
them, a problem that will presumably be remedied in a 16-episode version of the story.) The film’s setting also seems ripe with
potential for the drama—the agency’s office is in a crumbling,
abandoned theater that’s just crying out for a stylish Oh Boy
makeover.
The upcoming drama is slated to be a prequel to the film, so it will presumably show how the agency came to be. The Oh Boy series has improved with each passing show, from the broad comedy of Flower Boy Ramyun Shop to the surprisingly moving character studies of Flower Boy Next Door. If these earlier dramas are any indication, Dating Agency: Cyrano will be the must-watch romantic comedy of the season when it begins its run later this month.
I will have to check it out.
ReplyDeleteDon't know who of my kdrama addict friends are mothers but Happy Mother's Day! I am off to TN to see my mom, passing by Duluth, GA on the way and going to stop in to Jeju Sauna for a much needed body scrub and massage. My Mother's Day present to myself!!!
I really liked this movie but didn't see how it could be a drama. I'm glad that you explained it will be the story of how the agency was started. That should be really interesting. I hope that means we get to see the characters as the former actors or crew as they were. Maybe we'll see some theatre productions within the movie. The film really was so much fun though - PSH and UTW were great of course and the supporting cast were all so much fun in their rolls. I liked that the story would change and surprise me sometimes, especially the end!
ReplyDeleteI'm just now working on my review of the movie! I agree it got slower in some parts, but the best part about watching the movie was it got me more excited for the show. I'm trying to not get my expectations raised too highly because so far I haven't been super impressed with the romantic comedies this year (except tvN's Flower Boy Next Door). But tvN keeps raising the bar, so it's a little hard to resist.
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Lovedd reading this thank you
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