Grade: A
Category
Youthful rom-com
What it’s about
Flower Boy Next Door is the deceptively thoughtful story of a lonely, damaged girl who re-enters the world with the help of a quirky new acquaintance, panda-suit wearing, scene stealing, heart-exploding Enrique Geum.
First impression posts
Final verdict
Here’s a quick pop quiz for you
before we begin this review in earnest. Are you a drama watcher who:
1) enjoys goofy character studies that
present wonderfully detailed universes but don’t necessary have
much of an overarching plot, or
2) prefers shows that feature strong
narrative throughlines and beginning-to-end, series-wide plots?
This drama tells the story of Go Dok Mi
(Park Shin Hye), a lonely, introverted young woman who has almost
totally withdrawn into her apartment. Although she has lived there
for years, Dok Mi feels like a total stranger to the other residents
in her down-at-the-heels apartment complex, a group that seems to
spend most of their time staging small-scale protests at the behest
of their security guard. Her biggest interaction with the outside
world is spying on the painfully handsome doctor who lives in a
bigger, nicer apartment in a brand-new building across the street.
She may not speak to Tae Joon—or even know his name—but through
the lenses of her sunshine-yellow binoculars he looks like her
closest friend. Dok Mi has built her day around his routines, and
watches him avidly without ever really considering that she might
someday meet him in person.
When Enrique Geum (Yoon Si Yoon), Tae
Joon’s visiting cousin, catches her peering into his windows,
everything changes for both Dok Mi and the other residents of her
floor. Enrique is a high-energy puppy-boy, all silly antics and
open-hearted delight. A renowned game designer who has spent most of
his life in Spain, he understands how distanced Dok Mi feels from the
world around her. Growing up in a foreign country, he was always
aware that he was different, which made him work all the harder to
forge human connections. His games were what he had to offer, and he
made them with love and devotion.
Of course Dok Mi and and Enrique start
off on the wrong foot, with a panda-hat-clad Enrique outraged to
realize that the person across the way has been playing peeping tom.
But from the very beginning the two feel drawn together, connected on
an almost psychic level. (Really, it might be an actually psychic
level—the show dabbles in magical realism during a number of scenes
when Enrique can seemingly read Dok Mi’s mind.) Their budding
friendship draws Dok Mi out into the world and encourages her to
befriend the people she finds there.
It even turns out that Dok Mi has her
own watcher—Jin Rak, the gruff cartoonist next door. He has spent
so much of his time dreaming about his quiet neighbor that she even
seeps into his professional life: along with his assistant, the
hardworking Dong Hoon, he creates a new webtoon called Flower Boy
Next Door. In it, he both recounts and imagines Dok Mi’s story.
Like all the dramas in tvN’s Oh Boy!
series, this show features a large cast of supporting characters that
shape its plot. The most important of them is probably Do Hwi—Dok
Mi’s high school best friend turned mean-girl tormenter, who tries
to use their former friendship to get close to Jin Rak, whom she
believes to be the secret heir to a chaebol fortune. My favorite of
the peripheral (but indispensable) characters is the nameless editor
of Jin Rak’s webtoon, whose brash, brusque mannerisms hide an
overworked girl desperate to succeed in her chosen field. The final
ingredient in their coalescing community is Watanabe, the new guy
from down the hall. He’s a wannabe chef from Japan who brings the
rest of the cast together with weekly cooking lessons.
Its characters are Flower Boy Next
Door’s greatest strength. Even though most of them are slightly
exaggerated in the way of Korean comedies, they’re charming and
wonderful and utterly sympathetic, and as the show progresses the
viewer is completely drawn into their lives.
It also doesn’t hurt that they’re
portrayed by a group of incredibly likable actors, led by the lovely,
expressive Park Shin Hye. A longtime veteran of dramas like You’re
Beautiful and Heartstrings, Shin Hye is able to convey
with a single look what would require a thousand lines of dialogue to
say. She takes a journey with Dok Mi—from the beginning of the
drama to its end, her bashful, downward-staring attitude evolves into
the straight-backed posture of someone who knows her own worth.
The ever-handsome Yoon Si Yoon as
Enrique proves to be her perfect foil: his childlike candor and
propensity toward panda suits is tempered with a powerful sense of
empathy and tenderness. He’s an utter contrast to the typical male
lead in Kdrama romcoms—instead of being distant and cold, he’s
like a burst of sunshine in a dark room. He isn’t prickly and
doesn’t withhold his emotions; he gladly shares his heart and his
mind with everyone he meets. Yoon Si Yoon only has a few dramas to
his name at this point, but he’s definitely an actor to watch. Like
his contemporary Song Joong Ki of Nice Guy and A Werewolf
Boy, Yoon Si Yoon disappears fully into his characters and
embodies their emotional lives in an intense and convincing way.
Another of Flower Boy Next Door’s
primary charms is that it’s not afraid of emotion, much like
Enrique. The best of its episodes spend more time on characters
talking about their feelings than they do on things like narrative or
plot development: emotions serve as the show’s spine and its
unifying principle. Most dramas revolve around circumstances that
change—Amnesia! Cancer! Birth secrets! Corporate jockeying for
power!—but Flower Boy Next Door is so very rewarding to the
receptive viewer because it revolves around people that change.
These changes are reflected just as
much in the look of the show as in its script. Everything about
Flower Boy Next Door is beautiful and striking, from its
blue/grey/orange color palate to its perfectly chosen props and cadre
of dreamy flower boy leads. Throughout, developments in the
characters are reflected perfectly in their surroundings. Early on,
the drapes in Dok Mi’s apartment are like another character in the
show: they’re always present, dark and heavy and made for blocking
out the world. But when we’re reintroduced to Dok Mi after the time
jump in episode 16, we see that the forbidding drapes are no more. In
their place are a set of sheer, floaty curtains that let the daylight
stream into her apartment—and into her life. Most dramas overlook
little opportunities for visual storytelling like this, but Flower
Boy Next Door’s obsession with detail serves it well.
I suspect this drama’s greatest
successes and greatest flaws can be traced to its source material—an
actual webtoon called I Steal Peeks at Him Everyday. (For those
keeping score at home, that’s also the title of this show’s first
episode.) Flower Boy Next Door does an amazing job on the
micro level: it creates lovely moments and its characters are
lavished with development. From Dok Mi going against her frugal
nature to turn up her apartment’s heat whenever Enrique visits, to
the evolution of the dark circles under the webtoon editor’s eyes,
its meticulous attention to detail and the building-blocks of
atmosphere make the show a transporting delight.
But when it comes to tying all its many
pieces together on the macro level, Flower Boy Next Door is
somewhat less successful.
Posted in weekly installments, I Steal Peeks at Him Everyday is a serial intended for long-term
viability. Contrary to the concise format of Korean dramas, stalling
is one of this medium’s prime directives: like American television
shows, it needs to last for as long as people are interested in it.
The first volume of this comic was posted in late June 2011, and its
most recent installment, volume 54, went up just last month. The way
you fill that much space in an ongoing creative effort is by slowly
doling out attention-grabbing scenes and crafting perfect, bite-sized
moments that don’t so much move forward as they jog in place. An
over-arching, endgame plot is something you can only hint at if you
don’t want to run out of content before you run out of serial.
And this is exactly what Flower Boy
Next Door does. When viewed with a microscope, as you would see a
single installment in a multi-year webtoon, it’s perfect. But seen
with binoculars, as you would watch a sixteen-episode drama, it’s a
mess of story threads that are dropped, circular plotting, and
never-ending evasion.
For me, this wasn’t really a problem.
I loved the central characters and their relationships so much that I
didn’t need an over-arching plot—I just wanted to see them living
their lives, and rejoice in their small triumphs. But for other
viewers, this drama was frustratingly less than the sum of its parts.
As a whole, things just didn’t hold together: Several secondary
characters were dropped midstream without a satisfying explanation of
their motives. Whole scenes existed for no reason other than dressing
Yoon Si Yoon up in a panda suit or an ascot, making them feel
disconnected from the drama’s overall storyline.
Also unwelcome were the show’s many
“cheat” cliffhangers. Time and again, episodes closed with
shocking developments (Jin Rak caught the car! Enrique heard her
confessing and is heartbroken!) that didn’t carry over into the
next episode. The first few times this happened, it was amusing. But
when episodes 14 and 15 rolled around it was impossible to take them
seriously—the show had squandered its believability by reusing the
same transparent tricks too many times.
So could Flower Boy Next Door has
been a better drama? Probably.
Could I have loved it more? Probably
not. It’s a humane, fairy-tale-tinted foray into the lives of some
of the most indelible characters Kdrama has ever created.
Spying on the
Boy Next Door: Field Notes from the Series
I’m still new to watching Kdramas while they’re still airing in Korea. Flower Boy Next Door is the first show I’ve watched this way that I really loved—and I almost wonder if part of that love stems from the amazing community that the show inspired. Reading them being smart and insightful definitely helped me be more smart and insightful myself. For examples of their wonder, check out FBND meta on Tumblr, the show’s Soompi forum, and its Dramabeans recaps.
Episode 1
• From the
whimsical score to the stacks of manuscripts on Dok Mi’s desk to
the delighted look on her face when she opened her drapes to spy on
the cute boy across the way, this brisk and breezy comedy had me at
hello. More, please!
• I really like Dok Mi’s reluctance
to interact with the people around her. Being an introvert isn’t
the end of the world, although she is taking it to Howard-Hughesian
extremes. I hope the show doesn’t totally strip her of her shyness
as it continues—that was my great sorrow with Protect the Boss,
which was otherwise very enjoyable. The quirks and emotional problems
of its male lead disappeared as soon as they weren’t essential to
the love story, leaving him just another selfish chaebol son rather than a
multidimensional character struggling to be happy in spite of
himself.
• Did I mention that the outfit I’m
wearing as I watch this episode is practically identical to Dok Mi’s?
My two sweaters and shirt are even the same colors. Really, we’re
similar in lots of ways: I also spend my days hunched over
manuscripts, loathe human interaction, and go totally bonkers at the
sight of cute puppies. We’re pretty much twins, except I’m more
of a tragic spinster than an adorable Korean girl about to be swept
off her feet by Yoon Si Yoon. Damn it.
Episode 2
• Current verdict: better than I
dared hope for.
• Will this scene with Yoon Si Yoon
in the panda hat ever get old? I’ve watched it like five times and
laughed harder with each one. What kills me is the look of utter,
absolute seriousness on his face when the camera first finds him:
it’s hard to carry off dark and outraged when wearing what’s
essentially a stuffed animal on your head, but he totally does it. As
others have said, Enrique is without a doubt a manic pixie dream
boy, and I could not possibly love him more.
• If I were the sort of person
capable of making a gif, I would make one of the webtoon editor bellowing
“must be full of love!” in this episode. If there were a spy
camera in my living room the moment I decided to ditch Gaksital
after watching less than ten minutes of the first episode, this
is exactly what it would have recorded.
• Dramafever, I can not possibly
thank you enough for your speedy subbing of this series! It has been
like heaven to come home after work and discover that the new
episodes are already ready to watch. You’ve made my cruddy week.
Episode 3
• This episode’s ending was a total
cheat—the last ten seconds or so never happened in the timeline of
episode 4.
• The most egregious act of spycraft
involved in this drama? That would be its writers coming all the way
to America so they could use me as inspiration foe Dok Mi. There’s
probably a hidden camera in my living room right now.
Episode 4
• I listened to the Drama Fever
podcast that focuses on FBND in preparation for this episode. It
stars an all-male cast of Drama Fever employees—and it’s becoming
increasingly clear that I want real, actual boys as far away from
this show as possible. They ruin it with their boyishness. (LOL. Sort
of.)
• I love how Dok
Mi treats her big, poofy jackets as security blankets, or maybe even
body armor. In each of the last two episodes she’s responded to
moments of vulnerability by zipping up and huddling away, as if she
she might actually be able to will herself into invisibility.
Actually, most of the characters on this show have coats that say a
lot about them. Dok Mi’s high school bully is styled as a fox in
the opening credits, and she always wears fluffy fur coats. Enrique’s
jacket is bright enough to be seen from the international space
station and covered with complicated closures and cords, just right
for a tech wiz withe the soul of a little boy. And the scruffy
next-door neighbor’s jacket is the embodiment of practicality and
straightforward usability, which are just the traits he finds so
appealing in Dok Mi.
Episode 5
• When I check the status bar during
other shows, it’s because I’m bored and ready to do something
else. When I check the status bar during this show, it means I’m
already dreading that the episode has to end. “Only 44 minutes
left? Nooo!”
• Ah, the eternal struggle between
the angel on one shoulder and the devil on the other continues: I’m
spoiled rotten for this episode, which makes it less fun to watch.
Yet I can’t bring myself to avoid sites likely to reveal more than
I need to know before I see it for myself.
• I love you, Enrique, but I can’t
believe you just read what she wrote without her permission. That’s
way worse than accidentally wrecking someone’s first kiss, even.
• Jin
Rak should go ahead and get a sandwich board that reads “Terrible
Lay.” It’s great that he’s into Dok Mi and all, but way to turn
her into a sexless virgin with all this talk about not needing Eros
in their relationship.
Episode 6
• Just what kind of editor is Dok Mi?
The term “proofreader” has been bandied around, and she does seem
to be working on page proofs. But the level of editing she’s
doing—inserting whole sentences about Spanish castles and fact
checking the details of Enrique’s life—would be more appropriate
for a developmental editor, who works on a book way earlier in the
publication process. I’m a little annoyed that Enrique complained
about her edits: This is her job and he’s misleading her employer
into thinking she’s doing it badly. (Unfortunately, sponsoring
editors tend to take the author’s word about things like that, no
matter how wrong they are. I knew someone years ago who edited novels
by a super famous [but slightly washed up] author, and she literally
wasn’t allowed to make a single edit that didn’t involve
chronology fixes. If you’d read this author’s work, you’d know
she would have unquestionably benefited from more editing. But heaven
forbid anyone touch the novelist’s sacred words—it was all about
her ego, not the quality of her book.)
• What a delight this show has turned
out to be. Every step of the way, it’s better, sweeter, and smarter
than I expected. It’s always true to its characters—from Enrique
playing video games with the kids at the sauna, to Dok Mi turning up
the heat in her apartment because she has a visitor, to those yellow
binoculars on the windowsill. The story feels like it grows
organically from these characters, instead of the characters being
manipulated for the sake of the story. I also have to admit that I’ve
literally had 75 percent of the conversations in this particular
episode.
Episode 7
• Two predictions: 1. Jin Rak is
actually going to be a rebel chaebol son, hiding out under a false
name. Those guys in suits are actually sent by his family. 2. The
series will end with Enrique subletting Dok Mi’s apartment while
she uses up her savings traveling around the world. By herself, but
not—she’ll share the journey with people she meets on the road.
[Ed: Well, I’m one for one.]
• That was an exercise in
futility. I was so excited to see this episode that I started
watching even though Viki said it was only 95 percent subbed. In
truth, it was more like 75 percent—only one or two lines had been
translated in the entire last quarter. Which, of course, was super
frustrating, although my own fault—I should have just waited for
Drama Fever to post it tomorrow like a good little girl. You didn’t
really need subtitles for the last scene, but I’m pretty sure that
what seemed to happen didn’t actually happen, like that earlier
pair of episodes that didn’t quite match up from end to beginning.
Episode 8
• My new OTP?
That would be Dok Mi and Hippo. This episode could have used a little
more Enrique/Dok Mi action but next week sure looks promising on
that front.
• Dear Writer of this wonderful
show: Please don’t make that teacher into a real molester. I don’t
think I could take the added dimension to Dok Mi’s unhappiness. (Or
Do Hwi’s perfidy.) Sincerely, Amanda
Episode 9
• Thanks for assuaging practically
all the fears that motivated me to write today’s post, show. But
couldn’t you have done it last week?
Episode 10
• Yoon Si Yoon, I want you to know
that I’m totally available for a whirlwind noona romance. All you
need to do is say the word, and I’ll kiss you with way more gusto
than Dok Mi could muster.
• I love the thoughtful way this
show’s characters view the world. Dok Mi’s story about seeing the
security guard hang up his hat was so, so wonderful. As a girl who
longs for consistency and stability, of course she found it deeply
compelling that the everyday life of her new home was so predictable
that you could chart it on the walls. But the end of the scene was a
little different—as Jin Rak talks about the marks they’ve made
themselves, the camera pulls back until he and Dok Mi are nothing
more than tiny figures in the great, man-made canyon between soaring
apartment buildings. It’s like the show is acknowledging the
futility of their hopes about leaving their marks—they’re little
and ephemeral and insubstantial. How could they ever have an impact
on something so very solid as the world? We’ve actually seen that,
like the security guard, both Jin Rak and Enrique have actually
changed the fundamental being of the building. Each has painted on a
wall—it’s Dok Mi who hasn’t had an impact, with the post-its
and taped-up photographs that serve as her only decorations.
• Lead actors
often have mid-drama makeovers, but Flower Boy Next Door really
takes it to another level: By sending Enrique’s luggage—along
with his rainbow of little-boy short pants—off to Spain at the end
of the last episode, the writers have forced him to adopt Tae Joon’s
sophisticated dream-boat wardrobe. All those clowny get-ups had
become visual shorthand for his character’s shiny happiness, and
without this armor it’s like we have to get to know him again from
scratch.
Episode 11
• The big recappers are wondering
where this show will get its narrative tension now that the leads
have gotten together, but I think there’s lots of potential left in
these characters and situations. We still don’t know why Jin Rak
changed his name, or why Do Hwi is so obsessed with him. Dong Hoon
still needs to get together with Girl Editor (please, God—I love
her more and more), and Dok Mi still has to find out about the
webtoon. Plus, there’s just as much storytelling potential in being
in love as there is in falling in love, although we rarely see it in
popular entertainment.
• I love that Dok Mi now feels
totally comfortable inviting Enrique into her inner sanctum, the
apartment that she’s turned into her own world. The thing that
really killed me, though, was that she wrote in front of him. If
there’s some more powerful way to indicate that he’s now a full,
beloved part of her interior life, I don’t know what it would be.
The ability to be silent with someone is a sign of great friendship,
but the ability to loose yourself in writing in front of someone is a
sign of a profound feeling of safety and love. I have to do some
writing as part of my job and it’s the most awkward thing in the
world to sit at my desk, surrounded by people, and get my head where
it needs to be to produce something that doesn’t suck. It’s like
I’m naked. (“Did I just make a weird face?” “Did I just say
something strange out loud?” “Did anybody notice that groan?”)
Writing is a transporting experience, and it leaves you exposed in
all sorts of ways—physical, emotional, and mental. For Dok Mi to be
comfortable being that defenseless in front of Enrique… ::dreamy
sigh::
• I can’t even believe how awesome
it is to love Korean drama. Yesterday we got an episode of the show
everyone’s obsessed with. And today we get ANOTHER. It’s like
perfect vehicle for utter fan madness.
• It’s interesting that the big
kiss is edited a bit differently in the show than it was in the
preview: less time is spent on the wide shot, so you don’t notice
Park Shin Hye standing there, straight as an arrow, with her arms
dangling limply at her sides. I get that this might just be a
semi-awkward first kiss that the show is going to use as a plot
point, but it just seems so similar to Park’s other on-screen kisses
that I wonder if it’s just the best we’re going to get. On the
other hand, Yoon Si Yoon is such a hot kisser that I think I was
spontaneously impregnated just by watching this scene. Yowza!
• Is this really
going to turn into one of those rare, precious dramas where the lead
couple gets together before the last episode? No amnesia? No meddling
mothers? No noble idiocy? There is truly no end to your fabulosity,
FBND.
Episode
12
• I said “So cute!” more during
this forty-five minute episode than I’ve said it in my entire life
up to now. It looks as if we’re not getting out of this show
without some noble idiocy after all, but at least it’s super sweet
in the meanwhile. I think Enrique really is a fairy.
Episode 13
• I like that the Viki eps include previews for Nine.
I think this one may have even used Ben Folds for background music,
which is pretty excellent. What’s not pretty excellent, on the
other hand, is the female lead’s bowl cut. I’ve skipped shows altogether over better hair than that.
• This drama is like 85 percent show
and 15 percent fan service. The panda dance? “I speak polar bear”?
Girl Editor reeling in her man? If we fans were writing the script,
it couldn’t push our buttons any more precisely than it does now.
• “My Mother is the opposite of me.
She’s a chatterbox.”—Enrique; “!!!!!!!!!!!!”—Amanda. I would love, love, love to meet
Enrique’s parents. What kind of people could have raised such a
charm monster?
• What?
No elephants in the winter? Do they cruise the Mediterranean or
something?
Episode 14
• I’m still really enjoying this
show, which is aces when it comes to both character development and
sweetness. At this point, though, it’s flailing a little on the
story front—from episode to episode there’s very little actual
progress. It’s recycling the same old cliff-hanger scares—Enrique’s
going back to Spain! Dok Mi is running away again!—rather than
taking us (and its characters) to new places. This episode’s
cliffhanger is particularly egregious and feels a little cheap; the
show is hinting that Dok Mi and Jin Rak plotted to break Enrique’s
heart so he would leave her to follow his dream, but it’s hard to
believe this won’t turn out to be some big misunderstanding that’s
cleared up in the first two minutes of episode 15, to be followed by
the same old FBND recipe: 40 percent Erique and Dok Mi cuteness, 30
percent Enrique shenanigans, and 30 percent assorted bromances.
Ultimately, this episode’s closing maneuvered the characters into
places they need to be—for a change, Dok Mi will have to be the
confessor, not the confessee—but it still left me hungry for a
little something more.
Episode 15
• Dok Mi, the great thing about being
a freelancer is that you can go to Spain if you want—your work is
portable, and so are you! Eat some tapas, spend some time in the
sunshine, make out with Enrique until your lips are sore. That’s
what you really want to do, right?
• I’ve been trolling this show’s
Tumblr tag so much that I’m automatically turning every scene into
an animated gif in my head. I particularly look forward to seeing Dok
Mi in a panda hat on my dashboard for a long, long time to come.
• Practically this entire episode was
devoted to people sitting around talking about their feelings. To
some, that might sound like a bad thing, but to me it was perfect. In
fact, I kind of resent the time wasted on cliffhanger fodder—the
show is at its most lovely when it’s just about people being
people, not evil fans plotting against their hero’s girlfriend or
somebody threatening to leave the country. Still, this episode was
packed with treats, from Dok Mi acting like Enrique to the revelation
of the landlord’s identity and Dong Hoon’s excursion with Girl
Editor. Like the rest of this series, it’s a sweet, touching
character study wrapped up in goofy antics.
• I think this is the first time I’ve
ever seen Dramafever post an episode the same day it aired in Korea.
They’re usually a full day behind Viki when posting new episodes,
but not today—Viki was still at 87 percent complete when I started
watching on Dramafever. The powers that be must have realized that
FBND viewership plummeted as soon as it became available sooner at
Viki. We English-language speakers are incredibly lucky when it comes
to speedy subbing, and we’re also incredibly spoiled about it.
Episode 16
• Goal! A deliriously happy ending
was had by all. (Except me, who may have have to seek counseling to
deal with my grief about the end of this bright and beautiful show.)
• As always, the attention to detail
in this episode stellar. The blanket Enrique covers Dok Mi with is in
his signature shade of orange, the webtoon editor’s dark circles
are gone, and Dok Mi has gotten new drapes, sheer ones so she can’t
use them to keep the world out. But the detail that officially sealed
my eternal love for Flower Boy Next Door is the fact that Dok
Mi has one of her patented, towel-wrapped hot-water bottles on her
desk when she’s reading Enrique’s letter. Just as I always hoped,
Dok Mi may have changed in the corse of this drama, but she’s still
herself.
• I love that the two characters I’ve
seen Yoon Si Yoon play are emotionally accessible straight-shooters
who aren’t afraid to cry because they like a girl so much. In each
role, his native, puppyish charm was the character’s defining
trait, and made me love him utterly. All the real-life details I’ve
heard about him are marvelous, too: he loves books and is charming
and thoughtful about how he approaches his work.
I'm one of those people who answered the 2nd question. :X
ReplyDeleteI did like most of the characters as individuals, but could not handle the sprawling way the overall plot was depicted. It might just be a victim of timing. I had a lot of other dramas on my plate at the same time (including School and Bridal Mask) so FBND was my midweek slump drama and unfortunately, I started treating it as such. I think I almost liked watching the drama community react to it than I did with the drama itself. :D
It's funny how things other than the quality of the drama impact how much we like the drama. We flopped on a couple of recent shows—you weren't crazy about FBND but liked School, while I really like FBND and am seriously considering dropping School. It's just too much of an ensemble cast for me. I think the most compelling characters are the two boys, but the episodes keep getting bogged down with the teachers and other students acting out storylines that were better done by such luminaries as Jessie Spano and Donna Martin and Paige Michalchuk.
DeleteThe Flower Boy Next Door community was kind of crazy—for the first time, I felt like everyone was watching one drama. And the level of discourse about it was so smart it made me want to quit my job and dedicate my life to reading tumblr posts analyzing the socio-political impact of Enrique's hair cut, etc.
Long time reader, delurking to comment! I did answer yes to question number 2, but I enjoyed FBND very, very much. When I started watching the show, I approached it not as a rom-com, but more like a coming-of-age story for Dok Mi, as well as a story of friendship between the main cast. For a K-drama epic romance, having a strong narrative is essential for the romance to make sense (after all, you need to justify people falling in love quickly and then fighting for their right to love in only 16 episodes). Development of a person, though, doesn't happen in the course of a few weeks, so the structure of FBND made sense in that respect. I actually prefer the low-key approach, almost meandering approach that FBND took because this was a story about the little details and the pace let us appreciate those details so much more.
ReplyDeleteAnother reason that I enjoyed FBND is because I honestly didn't think of it as a standard K-drama. tVn's Oh Boy! project is very Japanese in nature, and I really can't use my K-drama mindset when watching this drama. Regardless, I enjoyed this drama and all the commentary by the drama community during its run.
Yay for delurking!
DeleteI think you're right about FBND being Dok Mi's coming-of-age story. And that's actually what all the Oh Boy dramas have been when you come right down it. They all include love and comedy, but it's shown through the lens of a specific character growing up. Which I love.
I need to watch more J-drama, but from what I've seen FBND really does seem to have a Japanese sensibility. J-dramas seem to focus on community over swoony romance, a nice change of pace from the K-drama obsession with undying love. (I wonder if they included a Japanese character as a nod to the show's Japanese vibe. I'm sure they're hoping he'll make the show a big success there.)
I absolutely agree with you!
DeleteI do also enjoy those super melodramatic over the edge suspense/thriller-ohh-emeuh-gee-what-just-happened and mind bobbling dramas.
However, the simplicity and freshness of FBND was just perfect. Character development is what attracts me the most in movies/books/dramas but especially in dramas since they are relatively longer than books/movies so I expect a somewhat logic development.
(That is why "The innocent man" drama flopped for me....characters' action/words/emotions made no more sense toward the second half...)
And FBND gave me my ideal cup of tea! There wasn't any big plot to anticipated toward or anything but every episodes were filled with very articulate details of the shaping of every one of the characters <3
May I add that all the narrations just made my whole experience even better? (I just love being able to dive into the characters' mind!)
Yup! not a typical k-drama. That's why i think people who would normally enjoy k-dramas wouldn't enjoy this one as much because:
1.It was slow (compared to other dramas where everything that happened in 16 episodes in FBND would've been long gone after 4-5 ep?)
2.Too predictable? (since there are no big twist...which i personnally think it's one of FBND's charm)
3.Annoyting characters (Quegeum?...He was my favourite character <3)
4. No typical korean-aegyo-oppa-saranghae-cheesy scenario (FBND had its own aegyo incarnation: Quegeum)
Overall...I LOVED the drama and I could write about it for hours
P.s: Have you guys watched the special FBND follow-up episodes? I just discovered them just now........oh boy my heart.
P.s.2: I need romance 2! HELLO complex characters with awesome obscur character unraveling <3
By the way...I randomly stumbled upon your blog and can I compliment you on your reviews and your writing? I like people who write fancy!
ReplyDeleteAwesome analysis...you went to the littlest details that we usually disregard as dust. Keep it up! And Thank you!
This was the most psychologically brilliant k-drama out there in my opinion. It reminded me of life. Those dropped threads you spoke of are what happen in life. Randomness happens. But as writers say, fiction needs to make more sense than reality.
ReplyDeleteI'm with you. This show was AMAZING. I didn't care about the flaws because I connected with the characters. It was about living and learning. I love that.
There were definitely some likable characters, but I need some over arching plot in my life to make me happy (usually, there are a few dramas for me that are exceptions). It just felt like there was some umph to the story missing that could have been there, but wasn't. Though I really adored Enrique's character, which kept me watching. I think I just don't mesh with these writers. I haven't been a big fan of any of the Flower Boy dramas, however of all three this one was the most watchable for me.
ReplyDeleteI am writing here not about the K-drama being reviewed but to compliment your site on your reviews. I have watched 40 something K-dramas already since 2005 starting with Stairway to Heaven and stopped somewhere 2008 for after awhile with repetitive conflicts it becomes tiring but I am at it again due to not this drama but Secret Garden. I must say at that time I was into it seriously and I went a bit overboard, I got a collection of almost 30 DVDs and even went to Korea to see the actual house in Full House and was able to kiss Kwon Sang Woo on his visit in my country. Crazy, huh? Anyway, I truly appreciate your writing and the manner you review the shows. And, since, I guess in time, one gets discriminating in taste, I found myself watching those you highly recommend. Although, I still prefer something that can make me laugh, have hope and with certain logic into the story. Thank you for taking time in giving your readers an idea of what to watch and gave us a gift to save time of not what to watch. Creating a site and doing reviews is probably the only thing I wasn't able to do when I was still totally addicted to it. Your blog is quite inspiring in a sense that you deliver your views with wit, reality with a dose of humor. Thank you.
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ReplyDeletei thought Yoon Shi-yoon was really versatile. Not everyone can pull being hilarious and serious as the same time.
ReplyDeletethe webtoon scary eyed manager made an impression on me. She was absolutely adorable and crazy. Wouldn't mind a drama around her as the lead.
this is so great!!! really! please write more flower boy next door!! is really sweet you are really a great writer :) more more more more more korea flower
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