With their finite running times, Korean dramas are able to
explore topics that are essentially impossible for American
television—including debilitating diseases and terminal illness. You can’t very
well build a show around a character that might not survive the first season
when your ultimate goal is making it to the TV version of the afterlife:
syndication, a lucrative state of being that’s generally only possible after
100 episodes of a show have aired. When a central character dies on American TV, you can bet it’s a form of punishment for a misbehaving actor
or because someone’s contract was too expensive to renew.
This doesn’t mean that Americans are immune to sentimental
storytelling about illness or physical disability. This kind of plot may be
less in vogue today, but we did more than our fair share of grappling with
obscure cancers and other tragic physical ailments during the weekly TV-movie fad of
the 1970s. In fact, this kind of death-and-dismemberment porn was so popular
that a new term was coined for the genre: Disease-of-the-week. With the demise
of short-form TV on these shores, though, so too came the near-complete
extinction of this kind of programming. In the past twenty years, I can only think of main characters in three American series that dealt with anything of the kind: Life Goes On, a 90s-era family show that featured a character with
Down Syndrome; The Big C, a
currently airing Showtime series about cancer; and Glee, whose giant, diverse cast includes a nonspecifically
wheelchair-bound character.
In Korea, on the other hand, the disease-of-the-week genre is alive and
well (if you’ll pardon the perhaps inappropriate cliche). This week’s batch
of spoiler-free reviews is devoted to shows focusing on a central character’s
illness or disability.
Autumn in My Heart (2000)
All the things that make the Eternal Love dramas such a
love/hate viewing experience for me were already in play in this, the first
show of the series. It’s painfully sentimental, slower than molasses on a cold
day, and the plot’s centerpiece is the quasi-incestuous love between a man and
woman who believed they were siblings until they were teenagers. But in spite
of all this, Autumn in My Heart still
manages to be sweeping and swoony and undeniably romantic. It features gorgeous
scenery and lovely cinematography, and its pair of star-crossed leads feel so
believably drawn together that even their squicky background couldn’t stop me
from rooting for them. And, of course, it eventually (d)evolves into a
disease-of-the-week drama full of foreboding nosebleeds and tearful goodbyes.
I genuinely liked the first half of this show, which was
essentially a big, goofily overwrought family drama about the repercussions of
an accidental baby-swap in a hospital nursery. As with all the other Eternal Love
dramas, though, Autumn in My Heart is 50
percent guilty pleasure and 50 percent pure frustration. Its characters are
inexplicably stupid and unlikable, its plot consists of one ridiculous
improbability after another, its pacing is moribund, and its look is best
described as mid-80s-feminine-hygiene-commercial-chic. But still, I watched
every single episode, and when I was done put the next show in this four-drama
series in my Dramafever queue. High praise, indeed. C+
Let me start off by saying that my hatred of this show is
probably irrational. Everyone else seems to love it, but the only reasons I
kept watching after episode 3 were the compelling, complicated
relationships between the two male leads and their mother. The
disease-of-the-week elements at play here are not one but two deaf characters (one of whom successfully pretends to
be hearing throughout most of the show) and a “slow” dad.
Can You Hear My Heart
focuses on the interwoven fates of two families: one rich but miserable, the
other poor but loving. If the characters associated with the latter could be
completely scrubbed from this show, its grade rating would go up several points
for me: I loathed the calculatedly pathetic grandmother, the cartoony, “noble
savage” mentally challenged dad, and Bong-Uri, the hollow-eyed, soulless female
lead. And don’t even get me started on the Lee family, their utterly useless
friends who existed for no purpose other than padding a few episodes with what somebody
probably considered to be comic relief.
The biggest tragedy involved in this show? That I won’t be
getting back the 30 hours of my life I wasted on it. (Apparently, I’ll never
run out of nasty things to say about this poor, defenseless drama. For more, see my lengthier review here.) D
The Greatest Love (2011)
The Greatest Love (2011)
A light-hearted romantic comedy may seem like a weird fit in
this category, but one of this show’s key plot points is the male lead’s heart
condition, which he obsessively tracks with a wristwatch-like heart-rate
monitor. Ultimately, Greatest Love is
what Disease-of-the-week drama looks like when it’s filtered through the
pop-culture savvy lens of a funny Hong sisters script. Don’t come to this show
looking for a compelling over-arching plot—beyond the process of the lead couple’s
inevitable hook up, there’s nothing of the sort to be found. The real charms
here are the main characters, an over-the-top odd-couple composed of a
level-headed former singer in a girl band and a zany, Tom-Cruise-esque
superstar. Their zippy, arch repartee is lightening fast and a pleasure to
behold, and the chemistry between the actors is as palpable as anything I’ve
seen in a more traditional Kdrama romance. Also wonderful are the show’s little
moments of universally understandable goofiness—the phone-in reality show
contest, the male lead’s need for “charging,” the potato love.
On the other hand, Greatest Love leaves a number of its shiny toys essentially unused.
The reality dating show angle is downplayed to the point of becoming useless
filler, and the dreamy second male lead doesn’t really seem to fit into the
rest of the show. Although I thought he was funny, I can also see how Dokko Jin
could be annoying (and any way you look at it, he’s clearly a retread of the
Tae Kyung character in You’re Beautiful). Overall, though, this show is one of my favorites of 2011. A
Scent of a Woman (2011)
Probably the most genuine of the Korean dramas I’ve seen
dealing with serious illness, Scent of a Woman benefits massively from its likable cast and sympathetically drawn
characters. It’s a familiar story: A woman who has lived her life for the
future—scrimping and saving and always taking the responsible, safe path—is
diagnosed with a terminal form of cancer and realizes just how much she’s
missed out on, all for the sake of a future she’ll never get to see. Naturally,
job-quitting, extravagant shopping sprees, tangoing, and vacations of a lifetime
are soon to follow.
Half The Bucket List and
half Queen Latifah’s Last Holiday, you’d
think that a show like this would be brainless and route, headed for the same
old tragic ending you’ve seen a thousand times before. But one of the greatest
pleasures of Scent of a Woman is
that it refuses to become what you expect of it—sure, it’s sad, but it’s also
thoughtful and funny and maybe even a little bit freeing. At its core, it’s
about taking control over your own destiny just as much as it’s about dying.
(This is easy, of course, in Kdramaland, where cancer and its treatment mostly
involve beautifully lit afternoon naps, rather than sickness and hair loss and
general misery.) The show’s obligatory Kdrama love triangle is sweet, its
ending is surprising but fitting, and its dancing scenes smoking hot. Definitely
the disease-of-the-week drama to watch if, like me, you don’t like the genre
much. B+
The Snow Queen
You know a drama is going to be juicy when the adult version
of the female lead is introduced in a hospital gown, desperately threatening to
slit her wrists rather than endure further treatment for the terminal illness
that has afflicted her since childhood. From melancholy beginning to
devastating ending, The Snow Queen is
close cousin to the Endless Love dramas—but thankfully, it features a
significantly less frustrating plot and characters that are smart and
interesting, rather than limp and prone to tears.
The story focuses on a bratty, poor-little-rich-girl falling
in love with the tortured, rootless man who blames himself for the suicide of
her older brother. Character-driven and old-fashioned in its leisurely pacing,
it manages to be both sad and tragic without feeling unrelentingly, abusively
so (unlike, say, the self-consciously piteous Autumn in My Heart). I’m
no great fan of Hyun Bin, but in this show at least I can see his appeal:
dirtied up a bit, he’s a sympathetic, watchable presence on screen. A-
Winter Sonata (2002)
Far and away my favorite of the Endless Love dramas, Winter
Sonata bears all the hallmarks of the
series: beautiful scenery, slow-moving storytelling, and tragic, seemingly
doomed love. Somehow, though, its plot manages to feel forward-moving and
action-packed—maybe because in the space of twenty episodes it finds time for
two separate cases of amnesia, scandalous birth secrets, a number of car
accidents, a surprise doppelganger (or is he?), a near rape, a love that may or
not be incestuous, and lots of frolicking in pristine, freshly fallen snow.
Korean drama has come a long way since 2002, though, and it can be hard to
watch this show without cringing today. The production values are astonishingly
bad—a dangling microphone is visible in at least one scene per episode, and the
set design is cheapie-porn awful, full of nearly empty rooms dotted with
Rent-a-Center furniture.
But with significantly less navel-gazing and dwelling on the
cruelties of fate than the other Endless Love dramas, it’s easy to see why Winter
Sonata is the Ur-Kdrama for so many
international viewers. It may feel dated and cheesy and unapologetically
sensational, but it’s also a powerful love story that really does seem to
embody the spirit of “pure love” its director claimed as inspiration. B+
Yes, my initial attraction to Kdramas (like so many others) was and still is that shortened length that allows for SO much more! Namely, character developement with an end always in sight, and not 2 seasons of "Is he finally going to grow up/man up/quit being a jerk/confess his love. is he? He is.. omg he is!.. oh wait, what crappy plot device is this now that brings him back to square one for another 2 seasons?!?.. whatever, I quit."
ReplyDeleteHaving seen 4 of these dramas on your list today, with the other 2 in perpetual queue status.. I am struck with the fact that even though they are all part of that disease-of-the-week genre, they are ALSO so much more. American movies when they do or did such genres usually make the disease and/or inevitable death the Prime focus, so you know it's going to be dead depressing the entire time. But these? They're hints, or at least side stories of a much more enjoyable world.
Seriously though: did Winter Sonata REALLY have to have 2 cases of amnesia with 2 car accidents to set it off? Oh well. It was still awesome.
Hehe...Kdrama isn't totally immune to the Neverending Cycle of Going Nowhere. Operation Proposal much? In fact, the makers of Korean TV being unfamiliar with drawing plots out forever without making any progress might have been a contributing factor in that drama's suck quotient.
DeleteI definitely agree that these shows are more than just disease-of-the-week fodder, unlike a lot of American output. (I really did like A Walk to Remember, though...Damn you, Nicholas Sparks.) It's part of being just the right length to really explore the universe you've created. Kdramas are novels, after all, not short stories or endless serials
And I loved Winter Sonata. Clearly =X The last Endless Love drama I have left to watch is Spring Waltz, which I'm putting off until I get over how annoying Summer Scent was. Two episodes worth of plot, twenty episodes of drama is not a good equation.
I have heard mention of how annoying Summer Scent can be.. I'm not to that one yet however. I'm still trying to decide what I REALLY think of Autumn in my Heart/Winter Sonata. I classify them as guilty pleasure chick-tragedies. I mean, I understand that there's a level to them that makes them totally awesome. They're also a large part of Kdrama culture and therefore highly influential (and a must-watch because of that alone). The first one also made me cry buckets of tears - a feat for me! Therefore I know that at least emotionally, it works extremely well. (On the flip side, I enjoyed Winter Sonata a lot, and never shed a single tear. Am I broken/immune to them already??). And yet, they do drag.. and I fast forwarded through a lot of parts in the second half of each show.. so does that mean I don't like them overall? I'm torn.. I'm really torn between loving the genre, and wishing it would just get it over with.
DeleteHuh. I avoid disease-centric dramas like the plague (no pun intended), but I agree that it's more suited to kdrama's shorter format. Btw, have you seen 49 Days?
ReplyDeleteI'm not much of a fan of this type of show, either—and discovered that a number of these dramas were focused on diseases after I started watching them, naturally. I haven't seen 49 Days yet, but it's been on my Dramafever queue for ages. Have you watched it? Should I give it a try?
DeleteI've watched it. It's definitely not for everyone -- the writing carries the acting most of the time and the ending is very love-it-or-hate-it. The premise is very interesting though, and the writing is solid. I'd suggest watching the first few eps (ep 1 starts off shaky but it improves) and see if you like it enough to continue.
Delete49 Days for me was I guess of the "love it" variety. It ranks as one of the very few kdramas which I rank a perfect 5 on DF (though I seriously hate the 5-star rating system. Any decent self-respecting ratings system should at least have 6 stars and make you differentiate the totally blah 3-star shows). That said, I would.. recommend it? Well of course I would. The acting definitely carries it - and it's not because it's only the main characters' acting abilities. It's the whole cast. But I definitely like the drama, the plot, the relationships, the actors - who of course are all drop dead gorgeous, I mean what could go wrong??
DeleteDid you watch spring waltz or summer scent?
ReplyDeleteI did watch Summer Scent, and totally forgot to include it on this list. It's probably my least favorite of the Endless Love dramas, though: 3 episodes of plot stretched out to fill 20 hours isn't my idea of a good time. (Even if it is gorgeously shot.)
DeleteSpring Waltz is on my almost laughably enormous list of dramas to watch... I've heard it's less tragic than the rest of the series, which sounds promising.
Yeah Spring Waltz has a happy ending and I usually like happy endings but in this case, it just didn't fit. It would seriously make more sense if the last episode was sad. I mean, everything led the audience to believe the ending would be tragic. Haha sorry I kinda vented there. You should watch it though, I really liked it.
DeleteWas Summer Scent sad as the first 2 in the series?
Summer Scent’s ending was stupid and totally unbelievable, but could be interpreted as happy ;) I’m actually sort of looking forward to watching Spring Waltz—this series may be slow, but they're lovely in a lot of ways.
DeleteYou should watch it, well I liked it :) It wasn't slow at all but there are 2 or 3 eps for the childhood scenes. I don't think it was as tragic as the other series in Endless Love but still retains some similar elements
Delete