Tuesday, November 20, 2012

A Dictionary of Kdrama Words to “Borrow”

While watching Korean dramas, I often come across words American speakers of the English language are tragically lacking. Sure, we have bon mots like kerfuffle, mooncalf, and onomatopoeia. But what about selca, CF, and skinship?

It’s clear that Korean has borrowed many words from the English language; as far as I’m concerned, it’s high time the English language returned the favor. Here’s a list of Kdrama terms and concepts essential to life in the modern world, wherever you are.


Gong Yoo unveils his chocolate, Big
Chocolate abs
Meaning: Chiseled abdominal muscles that stand out like the segmented pieces on a chocolate bar

As seen in: Big, and every single drama that includes a gratuitous shower scene (Thank you, Korea!)

American parallel: Six-pack abs

While America does have an exact equivalent for this term, it’s not nearly as wonderful. Sure, abs can look like a six-pack of beer as seen from above, but why associate something so marvelous with cold, hard, metal? The Korean conception of chocolate abs is much more appealing. Who can say no to a nibble, after all?



Yoon Eun Hye and Lee Seung Gi sure make a cute couple. 
You should get on that, Drama Overlords.

CF
Meaning: Commercial film

As seen in: Greatest Love

American parallel: Commercial

Like so many entries on this list, CF is actually a short version of an English phrase that doesn’t even exist in English-speaking countries. Why CF evolved in Korea and not on American shores isn’t clear, but I suspect it has something to do with the frequency of celebrity appearances in ads: it seems as if every big Korean star shills for a list of products approximately as large as my town’s phone book.

This abbreviation allows the arty word film to be appended to something we Americans see as slightly crass—celebrity endorsements. Somehow, this tiny addition manages to class up the concept to the point of making it sound like an art form. It’s all about positioning: a commercial is something you fast-forward through; a commercial film is a work of art that just happens to be shilling a kimchi refrigerator or foundation for men.

Maybe someday we Americans will start talking about CFs, too. After all, “serious” actors like Brad Pitt are now appearing in television ads, which seems to indicate that a change is brewing. (Who can blame him for that bizarre Chanel ad, anyway? He’s got a lot of kids to put through college.)




If Jan Di had spent more time fighting in Boys over Flowers and less time
 saying Fighting! it would have been a much better drama
Fighting!
Meaning: An expression of encouragement

As seen in: Boys over Flowers, and every other modern Kdrama romantic comedy

American parallel: You can do it!

Along with its distinctive arm gesture, Fighting! started off as a cheer used during Korea’s 2002 World Cup matches. If the (many, many, many) Kdramas I’ve watched are any indication, it caught on big time and is now an indispensable part of communication in Korea.

It’s no great surprise that Fighting doesn’t really have a direct equivalent in America. If Fighting is Korea’s cultural keyword, America’s is Cool; we rarely offer expressions of encouragement and support. (The horrible, dated expression “You go girl!” might once have worked, but nowadays it’s exclusively used for the purposes of mockery.)

Ironically, this word that the English language is sorely lacking is actually an English word in the first place. If we adopted it in its new, Korean form, it might just make us better people. All I know for sure is that I’m always encountering situations tailor-made for Fighting!, but its effectiveness is diminished by the need to explain what it means before I can say it.


I’m sorry, but I can’t write a caption for this picture. I’m too busy
 restraining myself from making naughty jokes about eating ramyun.
Suffice it to say, these are the boys from Flower Boy Ramyun Shop

Flower boy
Meaning: Pretty, pretty boys who aren’t afraid to put some effort into how they look. (Did I mention that they’re pretty?)

As seen in: Practically every Kdrama made since the 2009 airing of Boys over Flowers

American parallel: Metrosexual

Like many Western fans of Kdrama, Boys over Flowers was my first exposure to Korean television. But when I started watching it on Netflix streaming, I had literally no idea what the title meant. Boys? Flowers? In America, those two concepts rarely go together.

In Korea, though, flower boys are all the rage. Heck, there’s even a series of television shows created specifically to take advantage of their appeal: tvN’s “Oh Boy” dramas, which includes Flower Boy Ramyun Shop, Shut Up: Flower Boy Band, and the eagerly anticipated Flower Boy Next Door.

Key traits of flower boyhood are a slender body, a delicately lovely face, and fastidious personal grooming habits, sometimes even to the point of wearing makeup. Being a pretty boy is something Korean men actively aspire to, which is why in 2011 they were responsible for a quarter of worldwide sales of cosmetics made specifically for men.

Mainstream American culture would probably consider most flower boys too feminine to be attractive, but we in the know realize that life without flower boys is barely worth living.



Kim Ji Won, you were so cute in What’s Up that I completely
forgive you for To the Beautiful You.

Fourth dimensional/4D
Meaning: Someone odd or spacey

As seen in: Endearingly goofy Park Tae Hee from What’s Up and dreamy Yoon Ji Hoo in Boys over Flowers

American parallel: Space cadet; weirdo

Regular human beings live life in three dimensions. But some people seem to exist on a different plane, never quite thinking or acting like anyone else. They’re easily distracted, whether by pretty things or big ideas, and prone to misunderstanding what seems obvious to those around them.

I suspect that people in my life would be especially grateful if this phrase entered the English language: they’ve probably spent a lot of time trying to figure out how to describe me, after all.




You know it’s true love when a flower boy dyes his hair gray for you, as Kim Bum’s
character has done in this scene from The Woman Who Still Wants to Marry

Noona Romance
Meaning: A story focusing on an woman’s relationship with a younger man

As seen in: The Woman Who Still Wants to Marry and I Do, I Do, among many others

American parallel: Anything involving the icky, condescending word Cougar

When I first started watching Korean dramas, words like noona and oppa were stunningly exotic; as a speaker of English, I’ve spent most of my life calling everyone I know by their first name. Koreans, on the other hand, have at their disposal a complicated network of words indicating almost every kind of relationship, from your father’s older brother (keun aboji) to the youngest person in your group of friends (maknae). There’s a case to be made for either of these approaches: the American way of doing things emphasizes equality, while the Korean way emphasizes interconnection.

But lacking a similar classification system, we Americans don’t have have an easy way to describe a romantic relationship between a woman and a younger man. (Not that we have much call to do so, anyway: As long as an age difference isn’t enormous, it probably wouldn’t be mentioned at all. And if it is enormous, in the post-Demi-and-Ashton world it’s almost certainly a relationship between a older man and and a younger woman.)

On other hand, Korean dramas glory in older women dating younger men. There are a number of sensible reasons for this: It’s a good source of narrative friction in a society that values age-based hierarchy. Plus, mandatory military service in Korea means that it’s harder to pair actresses with their peers—until they’re safely in their thirties, a chunk of the male population is otherwise occupied at any given time.

As genres go, the noona romance is probably my favorite. So what happens when similar plotlines appear in Western entertainment, like the upcoming Hello, I Must Be Going? I spend a lot of time explaining to my friends that “noona” doesn’t indicate a matinee showtime, that’s what.


Lee Hyun Woo, you were so darling in To the Beautiful You that no forgiveness is necessary.
Selca
Meaning: A photo you’ve taken of yourself

As seen in: Cha Eun Kyul’s selca diaries in To the Beautiful You

American parallel: To the best of my knowledge, there isn’t one

Fifty percent of the profile pictures on the Internet are probably selcas, yet we Americans have yet to realize that it would be handy to have a word to describe them. When we finally do catch on, the Korean version will fit right into our language: it’s a mashup of the English words self and camera, after all.



I don’t think they waited for marriage in Can We Get Married, btw.

Skinship
Meaning: Affectionate touching, often involved with romantic relationships

As seen in: Most cable dramas, including the currently airing Can We Get Married? 

American parallel: Long strings of words like “physical displays of affection,” but nothing as short and catchy

There’s an urban legend that the Eskimo language doesn’t include a word for snow. Instead, the legend states, there are words for “heavy, wet snow,” “snow that’s falling slowly,” and “hard, crusty snow.” The theory is that in a world where it’s almost always winter, specific, descriptive terms for snow are more useful than the general word.

And that, my friends, is why there’s no American version of the word skinship. Physical intimacy here isn’t a big deal; we’re prone to casually touching those around us and displays of affection happen all the time. For example, consider my favorite recess game during elementary school: Kiss Tag. This is exactly what it sounds like—the person who was “it” had to kiss whomever they could catch, at which point the kissee became the new “it” and repeated the process. By the end of the first game, I had the kissing experience of the average thirty-year-old Kdrama heroine. (I was a slow runner, by fate or design. I’ll never tell which.)

Even in America, it’s hard to imagine the word Skinship not coming in handy: It’s shorter and more concise than most of our descriptions of physical intimacy, so why not use it?

Saturday, November 17, 2012

Next, Please: Flower Boy Next Door

(The only thing cuter than this...
...is this)


Flower Boy Next Door
Romantic comedy
16 episodes
January 7, tvN

Have you been hearing a mysterious, high-pitched “EEE!!!” sound for the past week or so? Well, I must apologize: that’s the noise I’ve been making ever since I first heard about this new entry in the Oh Boy series of dramas, following after Flower Boy Ramyun Shop and my beloved Shut Up: Flower Boy Band. 

Based on a webtoon about a girl loner who spends all of her time scoping out her dreamy next door neighbor, FBND is bound to be a high-energy, youthful delight. But the real kicker is the genius casting of its leads: Yoon Si Yoon (Me Too, Flower) and Park Shin Hye (Heartstrings). They’ve each been the best thing about every drama they’ve ever been in, and their doe-eyed cuteness seems utterly compatible. (Almost too much so, in fact. They could be siblings. Uh-oh...) 

Although it’s pretty much standard procedure to shoot Kdramas live, allowing for on-the-fly course correction based on public opinion, the grapevine says FBND will begin filming soon. I find this heartening: scripting and filming a watchable show on a week-by-week basis seems spectacularly difficult. (Just ask the production team behind Faith.)

I’m hoping this show will find a middle ground between the lightweight FBRS and gritty SUFBB, but wherever it lands I’m almost certain to be a happy, happy girl.

I hate to wish away months and months of my life (especially when they contain long vacations), but will you just get here already, January?

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Friday, November 16, 2012

Next, Please: School 2012

(The biggest cast this side of the movie 300)

School 2013
Family drama
? episodes
December 3, KBS2

I’m a sucker for coming of age stories set during high school, so this new drama is at the top of my must-watch list. Also intriguing is the potential for Degrassi-esque brand continuation: at least nominally, it’s a remake of a series that ran for four seasons beginning in 1999. 

Based on its huge cast of young actors, I imagine its storytelling will be episodic, with each hour focusing on a different group of characters with problems centered around their classroom. I wasn’t crazy about this approach when it was used in Hello My Teacher, but that’s probably due to that drama’s tragic underuse of Korea’s greatest natural resource, Gong Yoo (an alum of the original School, might I add). 

School’s adult cast of teachers includes an interesting pair: Jang Na Ra and Daniel Choi, aka the lead couple from 2011’s Baby-Faced Beauty. (Random fact: According to his Drama Wiki page, Daniel Choi has been in the advertising campaign for McDonald’s “triangular pie.” Yum. Triangular pie, just like Mom used to make.)




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Thursday, November 15, 2012

Drama Review: Faith (2012)



Grade: B-

Category
Romance, dressed up as fusion sageuk

What it’s about
After being kidnapped and brought back in time by a noble Goryeo warrior bent on saving his Queen, a modern plastic surgeon finds herself at the center of political turmoil and mysterious legends about a heavenly doctor from a thousand years earlier.

First impression
Is it possible that the team behind Arang and the Magistrate created this show on the sly with the intent of making Arang look even better than it actually was? Because that’s all I’m getting from the first episode, which looks and feels chintzy and makes some risible narrative decisions right off the bat. Smart writers don’t go from the tensest, most exciting moment in an entire product right to boring, character-establishing flashbacks. Right?

Final verdict
Here’s what you should watch Faith for: Its compelling pair of love stories and the humane, multi-faceted treatment of its four leads. (Also, there’s the matter of Lee Min Ho’s luscious, kissable mouth. Just saying.)

Here’s what you shouldn’t watch Faith for: Logic, narrative flow, or a satisfying overarching storyline.

It’s possible to enjoy this show for its swoony, slow-boil romance, but the second you give your brain cells free reign everything falls to pieces.

Time travel is a notoriously difficult narrative element that requires careful thought and advance planning, and I suspect that the makers of Faith were in short supply of both. As soon as you start dabbling in Möbius-strip storylines where the present depends on the future and the past, you’d better tread carefully. Faith is a textbook example of what happens when you don’t: it vaporized any hint of narrative tension by revealing too much of the big picture.

Thanks to the interplay of Faith’s three time periods, it was always clear that nothing was really at stake. As someone from the future, the female lead knew from the beginning how the story would end for all the major players in the past; she’d memorized their fates for a school exam, for the love of God. This spring’s similarly themed Queen In-hyun’s Man managed to neutralize the same problem by making it clear that the time traveler’s actions in the past could impact the future. But Faith never figured out how to do this, leaving it with three main characters who were never in jeopardy, and whose ultimate paths were always predetermined.

The show then had one possible source of tension: the question of whether Eun Soo, its female lead, would decide to leave the past. But it blew even that.

It’s true that Faith’s animated opening sequence was fun and eye-catching, and even reminiscent of some scenes from 2010’s Harry Potter and the Deathly Hallows. But it was also the root of this show’s undoing. In order for it to happen, the female lead’s trip to the Goryeo era could only end one way. It strapped the plot into a straight jacket, and these writers were no Harry Houdinis. When your entire story hinges on constantly rescuing a character from mortal peril, it’s unwise to rule out the possibility of that character’s death with your opening sequence. This also applies to big decisions: if a character is going to spend multiple episodes deliberating over something, the thoughtful writer makes sure it’s not an utterly moot point. 

Faith’s cast of thousands and poorly incorporated magical elements brought even more pointless wheel-spinning to the table. When one good guy can fearlessly take on twenty or thirty bad guys and emerge without a scratch, what’s the point? It’s all just meaningless, cartoony violence. (Which, might I add, looks particularly clumsy and poorly choreographed when seen in such close proximity to the dazzling acrobatics of Arang and the Magistrate.) The defanged main antagonists were also no help. I’m sure the writers wanted them to come off as nuanced and flawed, but all the back and forth just made it hard to take them seriously.

You can tell that Faith wanted to be more than just a distraction—it wanted to be good. It gave us lovely little character moments, like when the male lead watched his opponents remove their dead from a battlefield. Many of its actors did fine work with well-drawn characters. Ultimately, though, its many macro failings overcame its few micro successes.

Random thoughts
Episode 4. Lee Min Ho’s on-screen fighting skills have certainly improved since Boys over Flowers—not that that’s saying very much. Even in this drama, though, most of his action scenes involve more showy wire work than impressive choreography.

Episode 5. Faith continues to be cheesy and lower-rent than Arang, yet I continue to watch it. It’s easier for a comedy to deal with this kind of high-concept storytelling: as soon as the impossible situation starts to be taken too seriously, the show feels ridiculous. Goryeo X-Men? Time-traveling plastic surgeons? Killer flutes and great white whales . . . erm . . . wigs? At its heart, though, Faith is reasonably compelling and has a good deal of forward momentum. But as is always the case with sageuks, I could live with more epic love story and fewer political machinations.

Episode 5. I sure hope the female lead has some hair dye and tampons in that huge purse of hers. Otherwise, her year in the past is going to be awkward at best. And I have to say that bathroom humor isn’t really my favorite trend in Korean dramas, but is this ever a missed opportunity to have some discussion of old-school toilet habits. What would an outhouse be like that served all the people in the palace? Ick.

Episode 6. This is the first sageuk I’ve seen that’s set in an era other than the Joseon period. The Goryeo getups aren’t quite as appealing as the Joseon hanboks—the actors all look like extras from a Star Trek episode.

Episode 7. Daylight savings time, you rock! I thought it was 4:40, but it's actually 3:40. I have a whole extra hour to watch dramas before bed! ::does pathetic dance of victory::

Episode 14. The female lead should have just erected a billboard reading “You’re totally going to die in childbirth. But on the bright side, your husband will be really torn up about it.” It would have been more subtle.

Episode 17. I’ll say one thing for this show: its female lead isn’t an idiot, and is refreshingly free from the cutesy, ineffetual mannerisms of so many Kdrama girls.

Episode 21. Thank heavens you traveled back in time, Eun Soo. The thought of all these tragic Goryeo women being cursed to live their entire lives without professionally formulated makeup and skin care products is too horrifying to consider. You are truly God’s doctor.

Episode 21. This show needs more metaphorical swordplay and less actual swordplay, if you get my drift.

Watch it

You might also like 
Queen In-hyun’s Man, a time-travel drama that was better than Faith in essentially every way 

Arang and the Magistrate, a fusion sageuk that was better than Faith in essentially every way 

Next, Please: Alice in Cheongdam-dong Preview


(I guess this show will be filmed in 12 Grimmauld Place?)

Alice in Cheongdam-dong
Romantic comedy
16 episodes
December 1, SBS

I’m willing to bet that by the time this drama makes it to mainstream English-language sources like Netflix, its title will have changed: Alice in Gangnam has a different sort of ring to it these days, doesn’t it? Cheongdam-dong is indeed part of that famous neighborhood, where it’s renowned as an upscale shopping hub that provides the real housewives of Gangnam with their luxury goods.

Purportedly, Alice in Cheongdam-dong is based on a novel. According to the show’s Soompi forum, its source material is part brand forgery shenanigans (ala I Do, I Do) and part hardworking girl struggling to support her family (like Coffee Prince, one can only hope). In a shocking twist, there also seems to be a little bit of Indecent Proposal thrown in for good measure. (Seriously. Read the article.)

I’m getting mixed signals on this one: it’s a fish-out-of-water romantic comedy (good), focusing on the relationship between an “endlessly positive girl” (well, duh) and the president of a luxury brand (excellent, especially as Park Shi Hoo of Family’s Honor is playing this role, hopefully at his most sarcastic and bitchy). On the other hand, said hardworking girl wants to be a clothing designer (again?), or failing that, the wife of rich man (sigh). And while I like this show’s lead actors, I’m finding it difficult to imagine Park Shi Hoo and Moon Geun Young in a romance. On top of being awkwardly pocket sized in comparison to him, she’s almost ten years younger.

Korean television has always loved exploring how the richer one percent live, but in the wake of Psy’s omnipresent novelty hit “Gangnam Style,” pop culture seems especially primed for a new drama trend: Lifestyles of the Rich and Famous. I’m hoping there will be some genuine exploration of what wealth and privilege really mean in modern Korean society. But in the meanwhile, I can certainly make do with the kind of sparkly, whimsical rom-com promised by Alice in Cheongdam-dong’s new teaser trailer. (If its creators were going for a mad hatter vibe with Park Shi Hoo, I have some bad news: between the Colonel Sanders neckwear and the prominent ears and teeth, all I see is the white rabbit.)





(A weird footnote: Although most bloggers covering this drama say it really is based on the novel Cheongdam-dong Audrey, the book’s publisher apparently sued SBS this summer, at which point the station was claiming the show and book were unrelated.)

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Wednesday, November 14, 2012

Next, Please: I Miss You Preview


I Miss You
Melodrama
20 episodes
Currently airing Wednesdays and Thursdays, MBC


(This poster is just like I like my melos: DRIPPING! WITH! MISERY!)

This drama shows all signs of being a classic K-melo: it’s built around a tragically separated pair of young lovers who are reunited as adults, only to be kept apart by an angsty love triangle.

I Mis You is like a vortex of hope and fear for me. I’ve adored Yoon Eun Hye since hitting “play” on Coffee Prince’s opening episode, and ever since I’ve longed to see her in something more meaty and serious than the light-as-air rom-coms she seems to gravitate toward. Yoon Eun Hye may not be the most skilled actress or pick the best projects, but her utterly likeable persona and charming awkwardness always shine through. I’m also a huge fan of melodramas; the more insanely over-the-top and full of misfortune they are, the more I tend to like them.

But that’s where the fear comes in: I Miss You was written by the same screenwriter as Can You Hear My Heart, one of my least favorite shows of all time. I’m hoping that my violent reaction to CYHMH can be attributed to its overly cutesy acting and lousy direction, but I’m not so sure. Beyond that, I Miss You’s tumultuous, wank-filled backstory is every bit as melodramatic as its plot (read more about the hot mess at Drama Beans and The Vault). And then there’s the fact that this drama’s cast was only finalized a week before it began airing, which means most of its filming will be alarmingly close to live.

I want to love this drama (and probably will, in spite of myself), but it’s hard to imagine anyone on this makjang merry-go-round finding time to focus on creating a decent show.




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Watch it

Tuesday, November 13, 2012

Next, Please: Can We Get Married? Preview


(If you two were any more adorable, my brain would explode.)

Ah, it’s that time of the drama cycle again—new and upcoming shows are getting a lot of press, and I’m doing a lot of drooling over them. Rather than posting one big list today, I thought I’d post about one new drama every day this week. So stay tuned!

Without further ado, here’s one currently airing show that I’m planning to begin marathoning about two seconds after its finale is subbed.


Can We Get Married?
Family
16 episodes
Currently airing Monday and Tuesdays, jTBC


Dramas that don’t get a lot of coverage by the big news sites have a way of slipping under the radar, but this romantic comedy with family leanings sounds too good to miss. Revolving around a mother’s search for the perfect men to marry her two daughters, the story uses four couples to explore love from a variety of perspectives—from new romance to impending marriage to divorce.

Based on early reviews, Can We Get Married? is polished and sophisticated, and seems unlikely to get lost in the land of fairy-tale cliché that so many Kdramas never emerge from. As an added bonus, it airs on a cable channel, not a major network, which almost guarantees a candid approach to the physical aspects of its characters’ relationships. (Which is a long and fancy way to say: Hot kissing, ahoy!)

Also of note are its youthful stars: The every-guy lead is played by painfully handsome Sung Joon, known around these parts as the still-waters-run-deep bandleader of Shut Up!: Flower Boy Band. And if female lead Jung So Min can make being a doormat seem likeable in Playful Kiss, who knows how amazing she’ll be when playing an actual human being?




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Soompi forums

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