Grade: A+
Category
Grown-up romance
What it’s about
A middle-aged
housewife finds a kindred soul in her son’s dentist as she
struggles with the unforgiving expectations of her husband and his
status-obsessed family.
First impression
What to say about
this lovely, naturalistic show? It feels more like an indie film set
in upper-middle-class New York than a Kdrama, for one. Its characters
are real human beings, not drama bots. And it reflects life as people
actually live it—full of disappointment, envy, and failed
connections, but also moments of companionship, contentment, and even
happiness. Set in a midwinter Seoul that’s as drab and dormant as
its heroine’s life, this episode explores the fragile marriage
between a driven reporter and his free-spirited wife, the combatants
in an ongoing battle over their son’s education. In a world where a
child attending the right middle school confers esteem and bragging
rights, he wants professional tutors and round-the-clock studying,
while she wants learning for the sake of meaning and insight, not
showmanship. And caught in the middle is their poor, sweet-tempered
son, a boy who spent most of his childhood too sickly for anyone to
worry about his academic achievements. A Wife’s Credentials
thinks so outside the box that I can’t even begin to anticipate
where it goes from here, but I can’t wait to find out.
Final verdict
I waited a full
year for this drama to be available subtitled in English, all the while reading rave reviews about it on essentially every
English-language Kdrama blog authored by someone who actually speaks Korean. But when
I started watching, I was still a little unsure if I’d like A
Wife’s Credentials.
According to its dramawiki summary, it’s about a middle-aged,
married housewife who spends a lot of time worrying about her son’s
education. My preferences skew toward stories about youthful first
love, and I was worried this show would consist of lots of boring
homework sessions. (I’m embarrassed to admit that the male lead
wasn’t doing A Wife’s Credentials any
favors, either—in the poster he looked old and unhot.)
I’m happy to
report that my concerns were totally unfounded. I haven’t been this
engaged with a Kdrama since I finished watching Answer Me 1997
last year. Like that earlier
show, A Wife’s Credentials regularly
made me laugh, cry, and gasp out loud. It uses the standard building
blocks of Kdrama romances—love triangles and improbable
coincidences and drunk nights at the norebang—to tell a compelling
love story that’s also a critique of a world driven by materialism
and desperation for prestige, no matter the cost. (Also, the male
lead is a complete babe for his age group; it was just an
unflattering picture.)
Seo
Rae, the titular wife, is unanchored in the world. She has devoted
her life to the people around her—her senile mother; her loud,
posturing husband; and her son, whose many health problems have long
been the only uniting force in her marriage. As the drama opens, Seo
Rae’s situation seems to be improving. Her son has largely
recovered and the day-to-day burden of caring for her mother is
lessened when the family moves away from the nursing home where she
lives. But as mere survival takes up less of Seo Rae’s attention,
she comes to see that she’s not satisfied with her life.
Wherever
she goes, sensitive, empathetic Seo Rae doesn’t fit in. She’s an
outsider in her husband’s family, silently cleaning the kitchen as they gather for family discussions. Her neighbors are all pampered
housewives who love to gossip and brag about their children’s
educational achievements. Her mother is forever lost in a cloud of
dementia. The affluence of her husband’s family even separates
her from her beloved sister, a poor but hardworking caterer who hangs
out with her sister-in-law’s maids. Her son is Seo Rae’s only true ally, and her connection with him is what ties her to the world. But even as she loves him and cares for him, she’s always aware that he belongs to his father’s family just as much as he belongs to her.
In
a typical Kdrama, all her problems would be solved when Seo Rae
befriends two new people: one the principal of her son’s academy,
the other her son’s kind, handsome dentist. But in A
Wife’s Credentials, that’s
when her difficulties really begin. From her forbidden love to striking out on her own as a free woman, Seo Rae becomes her true self over the course of this show. And she eventually even learns how to do one of the hardest things in the world: to be her true self even when she’s with someone else.
Funny,
humane, and ultimately optimistic, this drama’s universe is broader than what we normally see on Korean television. Instead of focusing on a small group of leads who seem to be the only living creatures in a bell jar, its cadre of (over)privileged wives, gambling
mother-in-laws, random parents, and eavesdropping maids are all finely drawn and fully present in every scene that they appear in.
Perfectly
cast and acted, beautifully filmed, and blessed with one of the
most wonderful soundtracks in recent memory, A Wife’s
Credentials is close to perfect.
Its few shortcomings include male characters that are treated much
less charitably than their female counterparts and a finale that leaves
some regrettable loose ends—Whatever happened to the kids? Did the
second leads stay married? But even with these failings, this series is one of the most well-made, transporting dramas I’ve seen.
Random thoughts
• Episode 1. It’s amazing how differently people approach
eduction in Korea and America. Here, there’s a lot of distrust in
traditional schools and homeschooling is often viewed as the purest,
most effective means of education. In contrast, education in Korea
seems to be a corporate venture from day one, with kids pitted
against each other for positions in tony schools and parents who are
expected to get them there with any means necessary, whether it means
tutoring or torturing. Watching Asian dramas sometimes makes me
regret my own casual approach to school, but it seems as if there
must be some sort of happy medium out there that would allow kids to
learn without being treated like robots—or even worse, obedient
pets.
• Episode 2. I finally decided to put my money where my
mouth is and sign up for a month at MVIBO.com to watch this show. Too
often serious dramas are overlooked in favor of lighthearted
fairytales, while there should really be a time and a place for each
of them. I want to do my part to support avenues that provide legal
access to more obscure programming. But in spite of the “premium”
label MVIBO is so fond of, I’ve been able to watch so far without
signing up or sitting through commercials. So...I guess we’ll see
how long this lasts. I hate that this site is so incredibly slow at
subbing, but it would be nice if their library was freely available.
(And if they’d sub At the End of the World and I Live in
Cheongdamdong, both of which they carry in Korean only.)
• Episode 2.
It looks as if dental patients in Korea have their faces covered with
only their mouths exposed to allow the dentist to get at their teeth.
This would make me crazy—I can’t even imagine not being able to
see the drill coming at me. Eeek. It’s like S&M dentistry or
something.
• Episode 3. It turns out that you hit the MVIBO paywall
after watching two free episodes. As this show is just as good as I’d
heard and the subtitles are decent, I signed up for a month after
all.
• Episode 5. I’m against camping in the best of
circumstances, but this is officially insane. Can’t you at least
wait for true spring? There’s snow on the ground. Also, the
makers of camping supplies must have had a big ad budget in 2012.
This show, Big, and To the Beautiful You all featured
camping trips that were product-placement madness. The version in Wife’s Credentials is already better than Big’s, though; the writers
didn’t just slap the characters together in a tent; they gave real
thought to the opportunities inherent in the situation.
• Episode 5. The female lead’s relationship with her
mother is so sad it’s killing me. Unlike most dramas, Wife’s
Credentials doesn’t frame their situation in a cutesy, madcap
way, and it doesn’t demand our sorrow. Instead, it just shows you
in a matter-of-fact way that after all these upsetting things happen
to her, the female lead’s first instinct is to go to her mother.
But she doesn’t find what she needs there, and probably never will
again.
• Episode 7. I think the word I’m looking for here is
“riveting.” I wasn’t sure how I’d take this grown-up story of
cheating spouses. But it turns out that I can barely tear my eyes
away—and it’s so engrossing and humane that I don’t even know
how I want it to end. No matter what, someone is going to be hurt
terribly by what’s happening, and there’s no easy side to be on.
The under-appreciated wife deserves happiness, but does she deserve
it at the expense of an innocent person who’s every bit as
sympathetic as she is? [Finale note: One of the few things I
dislike about this show is how it solved this problem—by enthusiastically smearing
the characters who would be the love triangle’s losers.]
• Episode 7. Whenever a television is shown in a Kdrama, I
always try to figure out what they’re watching. For the first time
ever, I actually did it in this episode: as the husband walks through
his office, Deep-Rooted Tree is playing in the background. How
do I know? Song Joong Ki’s lovely face, of course.
• Episode 7.
This show’s musical leitmotifs
are used to brutal effect—“Daydream Believer” by the Monkees
and “Turn, Turn, Turn” as recorded by the Byrds. The first is
all about waking up to the realities of adult life and realizing that
it might be possible to find happiness even without fairytales, and
the second details the natural cycle of beginnings and endings we all
experience. They’re both simple and delicate, like hymns or
lullabies, but when you really listen to their lyrics they’re also
clear-eyed and poignant.
• Episode 8.
If I had made a reaction video
for this episode, it would include: shock, terrified nail biting,
wicked delight, sadness, misery, happiness, and fear. Most middling
dramas are out of story by now, but this was probably one of the most
thrilling episodes of Kdrama I’ve ever seen.
• Episode 13.
After one of the deftest time-jumps in Kdrama history, the female
lead has gotten a luxe (if deceptive) makeover. The sad thing? I
liked how she dressed before better. Her simple, natural-fiber
outfits were sleek and sophisticated. Now she looks like everyone
else, with her fussy brand-name purses and layered haircut.
• Episode 14.
This show is still great, but it’s falling victim to one of the
same annoyances that plagued In Time with You. Instead of
featuring a relationship that just doesn’t work, they’re going
out of their way to absolve the break-up-er by making the break-up-ee
a terrible person. I had hoped for better from a drama as
kind-hearted as this one.
• Episode 14.
If I had ever considered Mvibo as a Dramafever substitute, I don’t
now. In addition to subbing shows at a laughably slow rate, the
subtitles they’ve provided for this series have gotten worse with
each passing episode. At first it wasn’t that troublesome—obvious
words wouldn’t be translated, and whole episodes would pass without
a single apostrophe. But now entire exchanges aren’t being subbed,
especially if they involve characters other than the leads. In other
scenes the subs give you enough information to follow the plot but
are obviously only summarizing what’s actually being said. That’s
what I’d expect of a newly available drama on Viki, not a show
that’s been professionally subtitled and available for almost a
year. Badly done, Mvibo.
• Episode 16.
A great ending for the leads, but not so much for everyone else.
Sigh. If only this drama had gotten a 50-episode extension, they
could have really explored the story from every angle. And I would
have been a happy girl, getting to keep these wonderful characters in
my life a little longer.
You might also like
Morally conflicted, grown-up Que Sera Sera
Answer Me 1997, which also uses standard Kdrama tropes to tell a realistic
story
THIS SUMMER! You will see me watching this show. I promise. If I haven't been intrigued enough before, I am definely on board and want to watch it asap! Just, doing too many things at the moment. I'm not watching dramas quite as fast anymore either. Need to finish up a few other dramas first. Okay. maybe sooner than this summer. xD
ReplyDeleteSorry but I didn't dare to read this review in case there were some spoilers. But I totally want to watch this, I've heard so many good things about this show. I'd like to watch something mature and realistic for a while.
ReplyDeleteBut I've also heard that there were no English subs. Or has that changed in the meanwhile? If the subs are out, then why am I still here?
This review isn't too spoilery, but you've probably made a safe decision ;) The subs have just been completed in the last month or two; they're available both on MVIBO and Drama Crazy.
DeleteOverall, a great show that's a refreshing change of pace from the standard fantastical Kdrama.
Same for me. Certainly more in my "age" range.
ReplyDeleteI don't know how I discovered this drama, I believe the site where I discovered it had the first couple of episodes subbed. It was so intriguing and so good that I watched the rest of the episodes w/o subs. I looked for weeks and could not find subbed episodes. I had no idea what they were saying, could get the gist of the story and just knew it was an exceptionally excellent drama with some knockout performances. I have not gone back to view it with subs. I know if I do (and I plan to) that it will be even better! Loved the fact that it was a grown folks...middle age people drama!
ReplyDeleteYes, this drama has everything. Great acting, directing, script and even the music. Usually I cringe at the overwrought violin section that detracts from the scene. But as you noted the music is so moving and emotional. The initial description also turned me off, but a trusted blogger raved about it. I found the first 7 episodes somewhere months ago, and then every few weeks I checked sites again until I finally found the full show. This is one drama that has stayed with me. So glad you also loved it.
ReplyDeleteI love this part!"(I’m embarrassed to admit that the male lead wasn’t doing A Wife’s Credentials any favors, either—in the poster he looked old and unhot.)" Hahahha - I know what you mean. I usually make snap judgements based on awful posters and find out months later that I've missed something really great. Sadly, after I discovered Kdramas, it took me almost a year to watch Coffee Prince because the poster looked so booring. How WRONG is that?!? Anyway, thanks for the review, I want to check it out now even though I didn't really like that lead actor when he was in Daisy. But it's not fair to compare since his co-actor was Jung Woo-Sung. Sigh!!!! Yummies :) Thanks Amanda!
ReplyDeleteI love this aside " (Also, the male lead is a complete babe for his age group; it was just an unflattering picture.)"
ReplyDeleteLee Sung Jae is a babe. hehehe. The roles I've seen him in tends to be not cookie-cutter. He plays them in a way that gives the characters a slight hint of imbalance. I may not like his characters (which is why I dropped this drama) but my heart skips a beat when he's on the cast. He's about 15 years older than me, so that makes him my ajusshi crush. ahahaha.
On the whole I enjoyed this show, but I found the female lead a bit insipid. I couldn't figure out what she had that attracted the male lead as she seemed to have no spark. I thought the actor playing this part was not familiar with the feelings needed for the part. The only other criticism I have is that the subtitles were very slow and didn't follow the action in the later episodes. Very frustrating. On the whole, though, a good portrayal of Korean society.
ReplyDelete