Grade: B
Category
Workplace
slice-of-life
What it’s about
A group of stories
centered around the production of dramas for a fictional Korean
television station. The centerpiece is the relationship between a
pair of producers—one an established pro and the other his
up-and-coming ex-girlfriend—but the lives of many other
characters are also explored.
First impression
It
may be a bad sign that it just took me two days to get through the
first episode of this dramaland rom-com. The scenes that take
place on set are fun, but this show has some fundamental problems. It
starts in the middle of everything—the plot, the relationships, the
conflicts—so there’s no entry point for the viewer. It’s like
being thrown into episode 10 of a so-so drama rather than starting
something that’s fresh and exciting. The 8,000 unremarkable
characters that share screen time don’t help, either. It
feels like a blur of people I don’t really care about talking about
a bunch of things I don’t know about—not a first when starting a
new drama, but much, much worse this time around.
Final verdict
This isn’t one
of those shows that’s going to keep you up at night, desperately
watching one episode after another because you can’t bear not
knowing what will happen. But if you’re curious about how dramas
are made and like low-key storytelling without a lot of over-the-top
spectacle, The World That They Live In could
actually be a show you like a lot.
The
main romance is vaguely interesting and approaches the relationship
from a refreshingly adult perspective. (Which, in Kdrama, means that
they admit sex before marriage exists.) It never manages to be all
that compelling though, and it’s the secondary characters that
really give this drama its heartbeat.
Most interesting are the older
actors, played with a knowing twinkle by a familiar group of pros. (As far as I’m concerned, it was worth the price of admission alone to see pictures of the actress who played Han Gyul’s mom in Coffee Prince as a young woman.) Wonderfully, they’re shown as real human beings with their own
lives, not the background family characters most of them are
usually relegated to. Their long-standing friendships and experienced
take on both acting and life give the show a mature perspective. (And a weird Harold and Maude-esque subplot, too.) Also great is the resident screenwriter, who’s shown avidly taking
notes on every interaction she sees, a mid-experiment mad scientist
preparing to mix explosive cocktails of human emotion.
The
real draw here, however, is the show’s insider perspective on how
dramas are made: How do they shoot conversations in moving
vehicles? What’s it like to give up your life in service of filming
two episodes a week? And how do they find (or manufacture) all those
amazing locations? It’s miraculous anyone survives the production
process, and seems like it should actually be impossible for the
results to be worth watching.
The World That They Live In isn’t the best show ever, but I
still came away from it feeling like watching it was time well spent:
it opened my eyes to all the little details it’s so easy to
overlook in the dramas I love so much.
Random thoughts
• Episode 1. I guess Coffee
Prince really did influence style in South Korea after it aired
in 2007. This 2008 drama is full of girls with super-short haircuts
and masculine outfits. Sorry, ladies, but you’re no Eun Chan.
• Episode 3. Apparently
an apology is required in Korea if you seem too comfortable around
your partner after sex. Lovely.
• Episode 7. Things sure have
changed in dramaland since this show came out. A character just got
fined for showing a brand name for 5 seconds in a show he was working
on. Nowadays, Kdramas are even bigger brand whores than American TV
shows.
• Episode 9. So in Korea,
producers are actually directors. How did I not know this for so
long? Truth be told, I don’t know anything at all about the process
of filmmaking—this show is an interesting lesson in the nitty-gritty
details that go into every single shot.
• Episode 15. I love that
they’re always showing the writer snatching up bits of dialog from
the people around her to be used in her dramas. It’s hard enough to
write one novel every few years, but the creative demands of being responsible for two episodes every week must be insane.
• Episode 11. Interesting that
Kdramas seem to have just one writer. Most American shows have a
group of them, working both individually and as a team. Maybe that’s
what our 22-episode seasons require, from a time perspective. The
novelistic approach to storytelling favored in Kdramas would be
harder to split up, anyways—in a decent show, more of the central
plot is revealed in each episode. Those super-long weekend sageuks
must be another story, though: writing one by yourself would probably
take a decade. (And be fatal.)
Watch it
You might also like
The low-key charm of Coffee Prince
I've been wanting to watch this for sometime now.. glad it didn't get your complete axe. I was getting a bit worried with some of your as-watching comments went by. ;) I'll keep it on my distant to-watch list.
ReplyDeleteIt's worth it, especially if you're a Hyun Bin fan: he's the star of many cute moments. (I bet you can find a few of them at the times noted in one of the comments below!)
DeleteI've almost decided to overlook the fact that he was in Secret Garden and welcome him into my list of must-watch actors ;)
Amanda, So glad you took the time to watch. It was very realistic and did drag a lot, especially when Hyun Bin wasn't on the screen! I've gone back and watched certain scenes over and over.....
ReplyDeleteIt was actually your suggestion that made me decide to give this show a try, and I'm glad I did :) Now I want to know more about drama production. Somebody should make a documentary about it...
DeleteThe scenes I'm referring to are episode 3 at 24:33 to 26:55 and then if that isn't enough eye candy there is episode 5 at 56:24 and episode 6 at 55:19, among many others!
ReplyDeleteHyun Bin could also play the role of a poor leading man. Not all the time, he's a chaebol. :))
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