Grade: B-
Category
Workplace noona romance
What it’s about
Years after being
left at the alter by her globe-trotting photographer boyfriend, Ji
Yeon is a hard-charging career woman and dedicated journalist. But it
isn’t until she meets a much younger part-time worker that her
heart begins to heal—which is exactly when her ex-fiance returns to Korea and decides he wants Ji Yeon back. (Surprise!)
First impression
I was a little
reluctant to start this drama, having watched only the first episode
of its Taiwanese predecessor before dropping it. But it was silly of
me to worry. TVN’s crack team of creative professionals took an
awkwardly staged, cartoony farce and turned it into a funny,
sophisticated little gem. The acting has been toned down, the story
significantly tightened to focus on the lead couple, and the
production values astronomically increased. I was worried about how
anything could follow in the footsteps of my beloved Secret Love
Affair, but I’m starting to think that a change of pace with
this spritely rom-com is just the thing I need.
Final verdict
Witch’s Romance was a fairly popular and well-liked show during its run, but it just didn’t work for me. Like so many of its TVN station-mates, it felt too bland and machine-extruded to really engage either my heart or mind. This show bears no relation to the gritty, flesh-bound world of old-school Korean dramas, where poverty existed and danger was believably real. Its characters and their plastic, new-car smelling world are one-dimensional and hollow, utterly divorced from anything approaching real, physical life.
The first few episodes work as a light workplace comedy with a side of romance, but as soon as Ji Yeon’s former fiancé shows up everything falls apart. The ensuing love triangle feels empty and meaningless, like something cooked up at the last minute when the writers realized they might not have enough material for sixteen episodes of story. When they’re used well, love triangles can tell us a lot about the characters involved and provide real narrative tension. But this show never justifies its love triangle by asking the questions that would make the secondary relationship feel fully formed, not like a pointless afterthought. Why did Ji Yeon’s fiancé leave? Why didn’t he contact her for six years? How could she possibly forgive him for ditching her? Witch’s Romance turns a blind eye to all these issues, content to rely on the same old will-they-or-won’t they relationships that have been filling Korean airwaves for decades.
Even I was sometimes charmed by Witch’s Romance, though. It has good raw materials, thanks to its likable cast and capable director. Its characters are also vast improvements over the ones in I Need Romance 3, a fellow noona romance and close cousin to this show. Ji Yeon is a nuanced, likable female lead—she’s driven and hardworking, but not without a heart. Dong Ha, her much younger lover, is so sweet and supportive you’ll swear he’s actually the second lead. Their friends, family, and coworkers add goofy adorability to the mix. (Ji Yeon’s chubby, sweet-hearted mom is a particular delight.)
Best of all is the budding love between Ji Yeon and Dong Ha. Together, they’re silly and sweet and kind to each other in a way that’s dismayingly rare in Korean dramas. Their fourteen-year age difference keeps the show on trend, but it also means that the male lead (usually) doesn’t act like a demanding, bossy jerk. And when she’s with Dong Ha, it’s obvious that Ji Yeon feels free to be herself in ways she never managed around her fiancé. If their relationship had driven the plot, this show would have been vastly better. Instead, the writers allowed their story to be dragged down by facile drama cliches and useless cul-de-sacs. Fancy sets and charismatic actors can only take a story so far.
The first few episodes work as a light workplace comedy with a side of romance, but as soon as Ji Yeon’s former fiancé shows up everything falls apart. The ensuing love triangle feels empty and meaningless, like something cooked up at the last minute when the writers realized they might not have enough material for sixteen episodes of story. When they’re used well, love triangles can tell us a lot about the characters involved and provide real narrative tension. But this show never justifies its love triangle by asking the questions that would make the secondary relationship feel fully formed, not like a pointless afterthought. Why did Ji Yeon’s fiancé leave? Why didn’t he contact her for six years? How could she possibly forgive him for ditching her? Witch’s Romance turns a blind eye to all these issues, content to rely on the same old will-they-or-won’t they relationships that have been filling Korean airwaves for decades.
Even I was sometimes charmed by Witch’s Romance, though. It has good raw materials, thanks to its likable cast and capable director. Its characters are also vast improvements over the ones in I Need Romance 3, a fellow noona romance and close cousin to this show. Ji Yeon is a nuanced, likable female lead—she’s driven and hardworking, but not without a heart. Dong Ha, her much younger lover, is so sweet and supportive you’ll swear he’s actually the second lead. Their friends, family, and coworkers add goofy adorability to the mix. (Ji Yeon’s chubby, sweet-hearted mom is a particular delight.)
Best of all is the budding love between Ji Yeon and Dong Ha. Together, they’re silly and sweet and kind to each other in a way that’s dismayingly rare in Korean dramas. Their fourteen-year age difference keeps the show on trend, but it also means that the male lead (usually) doesn’t act like a demanding, bossy jerk. And when she’s with Dong Ha, it’s obvious that Ji Yeon feels free to be herself in ways she never managed around her fiancé. If their relationship had driven the plot, this show would have been vastly better. Instead, the writers allowed their story to be dragged down by facile drama cliches and useless cul-de-sacs. Fancy sets and charismatic actors can only take a story so far.
At its best, Witch’s Romance is a giggle-inducing cute-fest. At its worst, it’s derivative and slick to the point of soullessness. But I’m happy to report that the former outweighs the latter—if only slightly.
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What’s
Up Fox
I really liked this drama, despite it's flaws, but then again I mostly watch k-dramas for escapism, comedy and cuteness. I don't like a lot of angst and melodrama. I've got enough of that in my own life.:D I'm glad the female lead is a capable, independent career woman and the male lead so kindhearted and supportive. It's refreshing.
ReplyDeleteI only have 2 episodes left, and I mostly just want to link to your review instead of writing one of my own. The first six episodes, where the relationship reigned supreme, were really enjoyable, if fluffy. Once the love triangle started in earnest, I felt like the show lost its heart.
ReplyDeleteI agree that the Korean version tightened up the plot in a good way It cleaned up the problems with the T version, but it sacrificed the passion, not just in the romance but in the lead female character for her job, her ambition and get in the trenches kind of work ethic. The K version started out with a bang on the passion side and totally dropped it for the safe best friend type of romance, which was disappointing. The K version gave us a more mature male lead -the T version was much more of a kid. The K version also did great things with the secondary and tertiary characters. I could have lived without the weird sound effects with the best friend. The old love, it stayed faithful to the original but also brought that in earlier (if you think it looked like a last minute punt in the K version, it way way late wtf who the hell is this guy in the T version) and kept it brief and got it out of the way. The old love was a news reporter/photographer, severely injured in a war zone (Bosnia I think in the T version) and was messed up. He did not contact his fiance because his assistant was a go between between the two lovers and mislead both-she basically split them up by not telling the female lead he was critically injured, and let her think he was breaking it off. The female lead sent her ring to him, and then he assumed she was ending it with him. The K version sort of explained this but did not elaborate. The K version failed in that after the old love resolved, there was no where to go but in circles with a drawn out we are together ending. It got so cute I thought they were going to barf rainbows. I think the T version was superior in a way with this part with facing the reality of having a relationship but maybe not in execution with this-she has some soul searching to do, and the puppy had some of his own to do also-she was more lost emotionally, which was good for the plot, but unfortunately a bit damsel in distress as a device to bring them back together, which was not good. I'd say the K version is watchable but not quite satisfying.
ReplyDeleteJudging from the long trailer, it is going to be an epic romantic comedy, full of hijinks and tomfoolery. I'll definitely start watching soon :)
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